Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
That’s much better, Sarah. (_Gazing in admiration at the fossil._)
Wonderful specimen--wonderful!
(ROBERT HOOD _enters. He is a well set-up, attractive young
man about thirty. As he glances impatiently at his watch,
it is evident he is ill at ease and under the stress of an
unusual emotion. Though he carries a Museum catalogue it is
soon apparent he has come for a rendezvous._
SARAH _soon disappears from view--scrubbing_.)
HOOD
I beg your pardon. Is this where the Brontosaurus lives?
PROFESSOR
Yes. (_Proudly_) This is the Brontosaurus.
HOOD
(_Indifferently_)
Oh, is it? Thanks.
PROFESSOR
Are you interested in fossils?
HOOD
Fossils?--Oh, yes; but only the living ones.
PROFESSOR
Oh, then you’ve come to see the Hoatzins?
HOOD
(_Impatiently_)
Not especially.
PROFESSOR
They’re in the ornithological section. Curious, isn’t it, when
people think fossils are so remote, that to-day in the thorn bushes
along the Berbice River there should be a small living bird who
swims, creeps, climbs, dives and can duplicate within a few minutes
the processes of evolution through the centuries. Mr. Beebe calls
them “living fossils”; so when you said....
HOOD
(_Again looking at his watch_)
It’s very interesting.
PROFESSOR
Their wing formation somewhat resembles the Archæopteryx. We have a
cast of the Solenhofen specimen, if you....
HOOD
I have a catalogue. I’d like to study them myself, quietly at
first, if you don’t mind.
(_He sits down on the bench at back and opens the catalogue.
The_ PROFESSOR _is offended, gives him a look and goes out.
The minute he has gone_, HOOD _arises, takes several steps
about as though looking for someone_. SARAH _has entered with
her pail and watches him. She stands there, a worn and abject
figure._ HOOD _takes out his watch again_.)
SARAH
I beg ye pardon?
HOOD
(_Startled a moment_)
Eh?
SARAH
Do ye be havin’ the toime about ye?
HOOD
My watch says four. But I think it must be fast.
SARAH
(_As she wearily crosses_)
Thank ye, sir.
HOOD
(_A bit anxiously_)
When does the Museum close?
SARAH
For ye or for me?
HOOD
Why, for me; of course.
SARAH
Ye’ll hear the bell in a half-hour; it’s not long after that I’ll
be a-pullin’ up these shades.
HOOD
Thanks.
SARAH
(_Pointedly as she begins to wash up his footsteps_)
If ye need more toime to _look_ at the animals ye may be doin’ it,
as the Professor is expectin’ a whole regiment of soldiers.
HOOD
(_Vexed_)
Coming _here_? I thought nobody ever came here?
SARAH
Ye mustn’t be surprised at anythin’ in a museum. All the strange
animals ain’t behind the railin’s.
(_She gives him a knowing look and finally goes out of sight,
mopping down the aisle. He takes a step impatiently and then
sits in back and opens catalogue aimlessly as he sees_ MRS.
CORNELIUS VAN DYKE _and_ MRS. JAMES MORROW _enter from back.
They do not notice him at first._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account