Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
Oh, I might have sprained an ankle going to my seat.
(_He goes out after the_ PROFESSOR _as_ BESS _looks after
him_. SARAH _comes in back and then goes off. The rear of
room darkens, indicating she has pulled the curtain up._
LIVINGSTON _glances at_ HOOD _who is gazing at_ BESS _with a
strange enlightenment_.)
LIVINGSTON
I think you’re right, Bess: we’d better be going. We might stop and
take the children for a spin before it’s dark.
BESS
Yes.
LIVINGSTON
(_To_ HOOD)
Are you going _our_ way?
HOOD
No.
BESS
You’re sure we can’t drop you somewhere?
HOOD
No. Thank you.
LIVINGSTON
I’m delighted to have met you, Mr. Hood. (_Shaking hands._) I shall
follow your work in the Legislature with great interest.
HOOD
Perhaps I may be able to help you with _your_ museum.
LIVINGSTON
Just talking to you has encouraged me greatly. Good-bye. There is
a big political future waiting a young man these days--if he keeps
his head.
BESS
(_Shaking his hand_)
I’m sure my husband is right.
HOOD
(_Looking at her_)
So am I. Quite sure.
(_She turns away, as she sees what his tone of finality
implies, and looks up at the_ BRONTOSAURUS _with a start_.)
LIVINGSTON
What is it, dear?
BESS
Nothing. Only it seems to be smiling at us.
LIVINGSTON
All skulls grin: it’s the eternal laughter of the dead.
BESS
Come. (_As she starts._) Dear, don’t you think it might be a good
idea to rescue that fine strong good-looking young soldier? He must
be so lonely and we might take him for a drive.
LIVINGSTON
(_A bit wearily at what he sees ahead_)
Oh, yes; if you wish. But I’m sure he should have gone to the
Follies.
(_He offers her his arm--she takes it._ HOOD _watches them as
they walk out without turning back. He stands there a moment,
with a cynical smile creeping over his lips. He throws the
catalogue on the seat. Then he goes to the sign before the_
BRONTOSAURUS.)
HOOD
(_Reading and thinking_)
“Mainly Herbivorous.” “Anything she can pick up.” “Several million
years”....
(_As he gazes there_, SARAH _enters and goes out to pull
up the other curtain. She apparently does so for some red
rays slowly gather about the fossil. The room is darker. She
re-enters and stands there looking at him._ HOOD _gives a
sigh of relief, and determination: he puts on his hat, and,
with hands in his pockets, goes off whistling_.
SARAH _stands there as the room darkens. Then she goes over
near the seat and begins to mop._)
SARAH
Moppin’ and scrubbin’ ... moppin’....
(_She pauses and gives a glance at the_ BRONTOSAURUS _on
whose skull are now centered the rays of the setting sun_.)
Holy Mother of Saints! What are you grinnin’ at, ye dirty heathen?
(_She lifts her arm again in revolt as though to throw the
mop at it. Then she puts it down with a sense of futility.
She picks up her things and goes off slowly._
Public-domain text, read in full here on John Shaqi.
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