Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life — John Shaqi
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
I respect your dedication; your willingness to sacrifice for your
beliefs. Why, Wallace, it would be a crime for me to stand in your
way--even with my mother’s love. (_He kisses her._) Do it all as
cleanly as you can. I’ll hope and pray that you’ll come back to
me. (_Half breaking down and taking him in her arms._) Oh, my boy;
my boy. Let me hold you. You’ll never know how hard it is for a
mother.
WALLACE
(_Gently_)
But other mothers send their boys.
HILDA
Most of them believe in what their sons are fighting for. Mothers
have _got_ to believe in it; or else how could they stand the
thought of bayonets stuck into the bodies they brought forth in
their own blood? (_There is a pause till she controls herself._)
I’ll help you get your things together.
WALLACE
And father?
HILDA
He will be angry.
WALLACE
But you will make him understand?
HILDA
I’ll try. Yet you must be patient with him if he doesn’t
understand. Don’t ever forget his long fight against all kinds of
Prussianism when you hear him reviled by those who have always
hated his radicalism and who, now, under the guise of patriotism,
are trying to render him useless for further attacks on them after
the war. He’s been persecuted so by them--even back in the days
when our press was praising Germany and our distinguished citizens
were dining at the Emperor’s table. Don’t forget all this, my boy.
These days are hard for him--and me--harder perhaps than for you
who go out to die in glory and praise. There are no flags for us,
no music that stirs, no applause; but we too suffer in silence for
what we believe. And it is only the strongest who can survive.--Now
call your father.
WALLACE
(_Goes to door_)
Dad! (_He leaves door open and turns to his mother._) I’ll be
getting my things together. (_There is a pause._ WHITE _enters_.)
Dad, mother has something to ask you. (_He looks from father to
mother._) Thanks, little mother.
(_He kisses her and goes out taking the valise. His father
and mother stand facing each other._)
HILDA
Wallace has volunteered. (_He looks at her keenly._) He has lied
about his age. He wants us to let him go.
WHITE
Volunteered?
HILDA
Yes; he leaves to-night.
WHITE
(_After a pause_)
And what have _you_ told him?
HILDA
That he must go.
WHITE
You can say that?
HILDA
It is the way he sees it.
WHITE
(_Going to her sympathetically_)
Hilda.
HILDA
(_Looking up at him tenderly_)
Oh, Will, do you remember when he was born? (_He soothes her._) And
all we nursed him through afterwards; and all we taught him; all
we tried to show him about war. (_With a shrug of her shoulders._)
None of it has mattered.
WHITE
War is stronger than all that.
HILDA
So we mustn’t blame him. You won’t blame him?
WHITE
He fears I will?
HILDA
He has always feared you a little though he loves you deeply. You
mustn’t oppose him, dear. You won’t?
WHITE
(_Wearily_)
Is there any use opposing anybody or anything these days?
HILDA
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account