English essays; English literature -- 20th century; Short stories, English
'Had you been one, you would never have listened to what I have been
saying,' she retorted. Rather nettled, I challenged her to pick out from
the other guests those on whom she detected the brand of Isis. A pair of
gloves was the prize for each successful guess. She won seven; in fact
all the stakes during the course of the evening. Over one only she
hesitated, and when he mentioned that he had neither the curiosity nor
the energy to cross the Atlantic, she knew he came from Oxford.
Yes, there is something in that manner after all. It irritates others
besides Americans. Novelists try to describe it. We all know the hero
who talks English with a Balliol accent--that great creature who is
sometimes bow and sometimes cox of his boat on alternate evenings; who
puts the weight at the University Sports and conducts the lady home from
a College wine without a stain on her character; is rusticated for a year
or so; returns to win the Newdigate and leaves without taking a degree.
Or that other delightful abstraction--he has a Balliol accent too--with
literary tastes and artistic rooms, where gambling takes place. He is
invariably a coward, but dreadfully fascinating all the same; though he
scorns women he has an hypnotic influence over them; something in his
polished Oxford manner is irresistible. Throughout a career of crime his
wonderful execution on the piano, his knowledge of Italian painting, and
his Oxford manner never seem to desert him. We feel, not for the first
time, how dangerous it must be to allow our simple perky unspoiled
Colonials to associate with such deleterious exotic beings, who, though
in fiction horsewhipped or (if heroes) shot in the last chapter, in real
life are so apt to become prosperous city men or respected college
officials.
Public-domain text, read in full here on John Shaqi.
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