the _Greek Studies_ will be found a graceful reference to the 'young Hebrew painter' whose 'Bacchus' at the Academy obviously contributed to the 'gem-like' flame of which we have heard so much. In a short-lived magazine, the _Dark Blue_, of July 1871, may be found a characteristic review by Swinburne of Solomon's strange rhapsody, _A Vision of Love Revealed in Sleep_, his only literary work, now a great rarity. This is the longest, and with one exception the most interesting, tribute to Solomon ever published. 'Since the first years of his early and brilliant celebrity as a young artist of high imagination, power, and promise,' Swinburne says, 'he has been at work long enough to enable us to define at least certain salient and dominant points of his genius . . . I have heard him likened to Heine as a kindred Hellenist of the Hebrews; Grecian form and beauty divide the allegiance of his spirit with Hebrew shadow and majesty.' It would be difficult to add anything further, in praise of the unfortunate artist, to the poet's eloquent eulogy of his friend's talents. An interesting piece of autobiography is afforded in the same article, where Swinburne tells us that his own poem of 'Erotion,' in the first series of _Poems and Ballads_, was written for a drawing by Simeon Solomon; and in another number of the same magazine there appeared 'The End of the Month,' to accompany a new design of Solomon's, the poem appearing later in the second series of _Poems and Ballads_. Very few English artists--not even Millais--began life with fairer prospects. Thackeray wrote in one of the 'Roundabout Papers' for 1860: 'For example, one of the pictures I admired most at the Royal Academy is by a gentleman on whom I never, to my knowledge, set eyes. The picture is (346) "Moses," by S. Solomon. I thought it finely drawn and composed. It nobly represented to my mind the dark children of the Egyptian bondage. . . . My newspaper says: "Two ludicrously ugly women, looking at a dingy baby, do not form a pleasing object," and so good-bye, Mr. S. S.' This beautiful picture, painted when the artist was only nineteen, is now in the collection of Mr. W. G. Rawlinson, and was seen quite recently at the Franco-British Exhibition, where those familiar with his work considered it one of Solomon's masterpieces. Very few students of Thackeray realised, however, that the painter thus singled out for praise formed the subject of a sordid inquest reported in the _Times_ of August 18th, 1905.