“Have you never, in a dream, listened to the most glorious strains, the
ideas of unknown composers who have made use of pure sound as nature
has hidden it in all things,--sound which we call forth, more or less
perfectly, by the instruments we employ to produce masses of various
color; but which in those dream-concerts are heard free from the
imperfections of the performers who cannot be all feeling, all soul? And
I, I give you that perfection, and you abuse me!
“You are as mad at the pit of the _Fenice_, who hissed me! I scorned the
vulgar crowd for not being able to mount with me to the heights whence
we reign over art, and I appeal to men of mark, to a Frenchman--Why, he
is gone!”
“Half an hour ago,” said Vendramin.
“That is a pity. He, perhaps, would have understood me, since Italians,
lovers of art, do not--”
“On you go!” said Capraja, with a smile, and tapping lightly on the
tenor’s head. “Ride off on the divine Ariosto’s hippogriff; hunt down
your radiant chimera, musical visionary as you are!”
In point of fact, all the others, believing that Genovese was drunk, let
him talk without listening to him. Capraja alone had understood the case
put by the French physician.
While the wine of Cyprus was loosening every tongue, and each one was
prancing on his favorite hobby, the doctor, in a gondola, was waiting
for the Duchess, having sent her a note written by Vendramin. Massimilla
appeared in her night wrapper, so much had she been alarmed by the tone
of the Prince’s farewell, and so startled by the hopes held out by the
letter.
“Madame,” said the Frenchman, as he placed her in a seat and desired the
gondoliers to start, “at this moment Prince Emilio’s life is in danger,
and you alone can save him.”
“What is to be done?” she asked.
“Ah! Can you resign yourself to play a degrading part--in spite of the
noblest face to be seen in Italy? Can you drop from the blue sky where
you dwell, into the bed of a courtesan? In short, can you, an angel of
refinement, of pure and spotless beauty, condescend to imagine what the
love must be of a Tinti--in her room, and so effectually as to deceive
the ardor of Emilio, who is indeed too drunk to be very clear-sighted?”
“Is that all?” said she, with a smile that betrayed to the Frenchman a
side he had not as yet perceived of the delightful nature of an Italian
woman in love. “I will out-do la Tinti, if need be, to save my friend’s
life.”
“And you will thus fuse into one two kinds of love, which he sees as
distinct--divided by a mountain of poetic fancy, that will melt away
like the snow on a glacier under the beams of the midsummer sun.”
“I shall be eternally your debtor,” said the Duchess, gravely.
Public-domain text, read in full here on John Shaqi.
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