But Julius rose, and as he turned (the doctor noted) he bent an inscrutable look of pain on Nora. He sat down at the piano and struck a wild, sad chord. Instantly it became as if the people in the room were the instrument upon which he played,--as if the throbbing human hearts around him were directly connected by invisible strings with the ivory keys that pulsed beneath his fingers. What was the music he played no one knew, no one cared, no one inquired: each individual person was held and played upon, and was allowed no pause for reflection or criticism. The music carried all away as on the flood of time, showing them, on one hand, sunshine and beauty and joy, and all the pride of life; and on the other, darkness and cruelty, despair, and defiance, and death. It might have been, on the one hand, the music with which Orpheus tamed the beasts; and on the other, that which Æschylus arranged to accompany the last act of his tragedy of "Prometheus Bound." There was, however, no clear distinction between the joyous airs and the sombre: all were wrought and mingled into an exciting and bewildering atmosphere of melody, which thrilled the heart and maddened the brain. But as the music continued, its joyous strains died out; the instrument cried aloud in horror and pain, as if the vulture of Prometheus were tearing at its vitals; darkness seemed to descend upon the room--a darkness alive with the sighs and groans, the disillusions and tears, of lost souls. The men sat transfixed with agony and dread, the women were caught in the wild clutches of hysteria, and Courtney himself was as if possessed with a frenzy: his features were rigid, his eyes dilated, and his hair rose and clung in wavy locks, so that he seemed a very Gorgon's head. The only person apparently unmoved was old Dr Rippon, whose pale, gaunt form rose in the background, sinister and calm as Death! The situation was at its height, when a black cat (a pet of Miss Lefevre's) suddenly leaped on the top of the piano with a canary in its mouth, and in the presence of them all, laid its captive before Julius Courtney. The music ceased with a dissonant crash. With a cry Julius rose and laid his hand on the cat's neck: to the general amazement the cat lay down limp and senseless, and the little golden bird fluttered away. Then the sobs of the women, hitherto controlled, broke out, and the murmurs of the men. "O Julius! Julius! what have you done?" cried Nora, sweeping up to him in an ecstasy of emotion.