He opened the arrival bin and pulled out a handful of paper. One thick bundle was the dossier on Lassen; Walton initialed it and tossed it unread into the Files chute. He would have to rely on Eglin's judgement; Lassen seemed competent enough. Underneath that, he found the script of the FitzMaugham memorial program to be shown that evening. Walton sat back and started to skim through it. It was the usual sort of eulogy. He skipped rapidly past FitzMaugham's life and great works, on to the part where Interim Director Walton appeared on the screen to speak. This part he read more carefully. He was very much interested in the words that Percy had placed in his mouth. XI The speech that night went over well ... almost. Walton watched the program in the privacy of his home, sprawled out on the foamweb sofa with a drink in one hand and the text of Percy's shooting-script in the other. The giant screen that occupied nearly half of his one unbroken wall glowed in lifelike colors. FitzMaugham's career was traced with pomp and circumstance, done up in full glory: plenty of ringing trumpet flourishes, dozens of eye-appealing color groupings, much high-pitched, tense narrative. Percy had done his job skillfully. The show was punctuated by quotations from FitzMaugham's classic book, _Breathing Space and Sanity_. Key government figures drifted in and out of the narrative webwork, orating sonorously. That pious fraud, M. Seymour Lanson, President of the United States, delivered a flowery speech; the old figurehead was an artist at his one function, speechmaking. Walton watched, spellbound. Lee Percy was a genius in his field; there was no denying that. Finally, toward the end of the hour, the narrator said, "The work of Popeek goes on, though its lofty-minded creator lies dead at an assassin's hand. Director FitzMaugham had chosen as his successor a young man schooled in the ideals of Popeek. Roy Walton, we know, will continue the noble task begun by D. F. FitzMaugham." For the second time that day Walton watched his own face appear on a video screen. He glanced down at the script in his hand and back up at the screen. Percy's technicians had done a brilliant job. The Walton-image on the screen looked so real that the Walton on the couch almost believed he had actually delivered this speech--although he knew it had been cooked up out of some rearranged stills and a few brokendown phonemes with his voice characteristics. It was a perfectly innocent speech. In humble tones he expressed his veneration for the late director, his hopes that he would be able to fill the void left by the death of FitzMaugham, his sense of Popeek as a sacred trust. Half-listening, Walton began to skim the script.