Master of MenOppenheim, E. Phillips (Edward Phillips)
General
Master of Men
Oppenheim, E. Phillips (Edward Phillips)
England -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Political fiction
"Fagan is an ignorant ass," Strone exclaimed passionately. "I am doing
my best for the cause, and my way is the right way. My presence at
Lord Sydenham's to-night was no personal matter. It was a recognition
of our party, and a valuable recognition. I am surprised that you
should listen to such rubbish, Milly."
"Fagan may be right and he may be wrong," she answered, "but he
reckons that you're getting too big for your boots. It don't want fine
gentlemen to speak for workingmen. Were there any women at your party
to-night?"
"Yes," Strone answered, "there were women there."
"Then why wasn't I asked?" she demanded, setting down her empty glass.
"It is so hard to make you understand, Milly," he said. "I was not
there as a private guest at all. Socially every one was of a different
rank. I was there as a man who could command votes. You would not have
been comfortable, and I am sure that you would not have enjoyed it."
Always these scenes wrought themselves into a quarrel and ended by
Milly's dissolving into tears and their planning a gala day on the
morrow, when Milly would have her fill of delight at some cheap little
theatre her taste had prompted for their holiday.
But there were other and more painful occasions when Strone, returning
home, found his house brilliantly lighted--while strains of ribald
song floated out into the streets--and he knew that Milly was
entertaining her friends from Gascester.
Strone had never ranked as an orator even among his own party. He
was looked upon as a keen and skillful debater, a man of sturdy
common sense, marvelously clear-headed and thoroughly earnest. On the
night of his great speech, however, he made a new reputation. His
opening phrases scarcely gave promise of anything of the sort. He was
unaccountably nervous, overanxious to do justice to the cause which
was so dear to him, and at the same time horribly aware that he was
not succeeding. Suddenly, however, after a somewhat prolonged pause,
a wave of memory swept in upon him.
He remembered what he himself had passed through, the underworld of
the great cities was laid bare before him. It stretched away before
him, a ghostly panorama, its wailing rang in his ears, the death-cries
of its children shook his heart. Then, indeed, he straightened to his
task. His speech was stilted no longer, his deep voice shook with
passion. These rows of unemotional men, some sorting papers, some
whispering, some giving him a labored attention--they, too, must see
and hear. And they did! It was as though a great canvas were stretched
before them, and Strone, with the lightning brush of a great master,
was painting with lurid touches a terrible picture, a picture growing
every moment in horror, yet from the sight of which there was no
escape.
Public-domain text, read in full here on John Shaqi.
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