Master of MenOppenheim, E. Phillips (Edward Phillips)
General
Master of Men
Oppenheim, E. Phillips (Edward Phillips)
England -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Political fiction
Past the Devenhills' house, whence the music of her voice beat the air
around him, filled his ears with longing, brought almost the tears
to his eyes. Had he lived, indeed, through such delights as these
mocking memories would have him believe, when he had watched the roses
fluttering through the darkness, elf flowers, yet warm and fragrant
enough when he had snatched them from the dusty road, and crept away
with them into the shadows! Oh, what manner of man had he become to be
the slave of such memories? He was ashamed, yet drunk with the madness
of it.
Nowhere in this strange country of flowers and sweet odors, of singing
birds and delicate breezes, could he hope to escape from the old
thrall. The dreary machinery of life seemed no longer possible to him.
Milly and her unconquerable vulgarity, his narrowing career, even his
work, mocked him with their emptiness. He turned backward, but he did
not go home.
Twilight came on and the gray stillness slept softly on hill and
valley. Night crept apace and brought no abatement in the struggle
of the man. Again and again with cameo distinctness he saw Lord
Sydenham's face with its queer incredulous smile when Strone told him
of his decision to leave London, and he heard again as though they
were there spoken the older man's reply uttered with a note of anger
in his thin well-modulated voice.
"The thing is absurd," he had declared.
"Your refusal I must accept if you insist. I should do so with less
regret, perhaps, because sooner or later you must come to us. The step
may seem a bold one to you to-day. In a year or so it will become
inevitable. I might be content to wait, although you will be wasting
some of the best years of your life. But when you tell me that you
are giving up your career--leaving Parliament--going back to your
manufacturing--oh, rubbish! I haven't the patience to argue with you."
Strone's face was haggard and his lips were dry as he walked on.
There was a subtle witchery in the night that closed in on him
overpoweringly. Memories crowded with startling vividness--parties of
bejeweled and bedecked women--the soft hum of laughter and pleasant
voices mingled with the music of the violins. The air seemed suddenly
heavy with the odor of flowers and cigarettes and many strange
perfumes, and through it all came a frail exquisite face and voice
that said:
"My friend, it is you yourself who are responsible for our unlived
lives. You hold the gates open before you--you----"
He started back and closed his eyes. The past had him in its grip....
Public-domain text, read in full here on John Shaqi.
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