Master of MenOppenheim, E. Phillips (Edward Phillips)
General
Master of Men
Oppenheim, E. Phillips (Edward Phillips)
England -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Political fiction
"I have been paying calls," she said; "a dreary ordeal in the country.
People expect you to play croquet or smell flowers, and have tea out
of doors. So extraordinary. Life seems made up of people who live in
London and have houses in the country, and people who live in the
country and have houses in London. Such a wonderful difference, isn't
there?"
"I suppose so," he answered.
Then there was a short silence. It was an event, this, so bewildering,
so unexpected, that Strone was unable to recover himself. A new
shyness held him speechless. Lady Malingcourt, who was wondering now
if she rightly understood it, did nothing to help him.
Of the wonderful hour that followed Strone had a rather confused
impression. Little by little his tongue became loosened, he initiated
her into the mysteries of that very simple place his hermitage, and
all unknown to himself, to that rather complex thing the man. She
enthused over the one and affected to ignore the other, while with
rare subtlety she threw into their talk a salt-like impetus in regard
to his work that stung.
"I must go," she said at last rising. "Remember that John is bringing
me to have tea with you next Sunday. I have promised to take him to
Lingford Grange to dine to-night."
The man at her side stopped suddenly.
"Will you sing to them there?" he asked.
She did not answer at once. She was studying the picturesque
incongruity of Strone with his surroundings, the contrast between his
marvelous attire and his easy, fluent speech. Neither flustered nor
assertive, he was unconscious of his quiet, strong mastery; encouraged
to talk he talked; when opportunity came he was silent. She was filled
with admiration of the man, the genius, the mechanic inventor who, his
brother had told her, was to make a name that would live; and there
stole to this blasé woman under the glancing sunlight a strange new
feeling which she defined as interest.
"Why? You will not be there surely?"
He ignored the insolence of her question.
"If you mean that I shall not be one of Colonel Drevenhill's
guests--certainly not," he rejoined. "Nevertheless if you are asked to
sing, I hope that you will."
He watched the carriage until it was out of sight.
All the rest of the afternoon he lay on the warm turf above the
cottage smoking fiercely, and reading Heine. Then a gate slammed. The
book slipped from his fingers. He sat up, listening, his heart beating
thickly, his eyes ablaze. It was a woman who came into sight, but a
woman in an ill-hanging skirt, pushing a cheap bicycle, a woman hot
and dusty with riding. He ground his heel upon his feeling of sickly
disappointment. This was better for him. He rose and went to meet
her--took the bicycle; did his best to seem pleased.
"I didn't know whether I oughter come again so soon," she began
doubtfully, watching him with anxious eyes.
"I am glad to see you," he said. "Have you come for more books? See,
I will put the kettle on."
Public-domain text, read in full here on John Shaqi.
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