Master of MenOppenheim, E. Phillips (Edward Phillips)
General
Master of Men
Oppenheim, E. Phillips (Edward Phillips)
England -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Political fiction
Strone was very uncomfortable. He almost wished that he had let her
go. However, he made the best of it, hurried on the tea, and ignored
sundry affectionate little overtures on her part. Afterward he chose
for his seat an isolated rock, and pointed out to her a place beneath.
However, he couldn't avoid her resting her head upon his knee. She
began to talk--volubly. It wasn't very interesting--a long tirade--a
record of her woes, fascinating to him, for it was a page from the
life of one of his kind. What a bringing up! A father who drank, a
mother to be passed over in dark silence, a squalid home, children
unwholesome and unmanageable. What a struggle for respectability, and
what would be the end of it, he wondered, as the light grew dimmer,
the evening insects buzzed around them, and far down in the valley
little yellow dots of light leaped into life. Then he rose up, and
she sadly followed his example.
"I suppose I must go," she said doubtfully.
"I am quite sure of it, if you want to get home to-night," he
answered. "I'll carry your bicycle to the gate and light your lamp.
You'll remember what we've been talking about. You'll read the books
and be brave?"
"Yes."
"Life isn't always black. There's a time when the clouds lift."
"When may I come again?" she asked bluntly.
He took her hand gravely.
"Next Saturday, Milly. If I am not here, you know where the key is.
Stop and make yourself some tea."
"If you're away I'll wait," she answered. "I shan't want any tea."
He started her off, and trudged homeward with a sense of unaccountable
relief. He felt stifled, vaguely troubled by the memory of the girl's
white face and pleading brown eyes. Then a nightingale sang to him. At
once his mind was swept bare of all such thoughts. Once more the pine
and the clover-scented air around him seemed quivering with strange
and passionate music.
That night in the grounds of Lingford Grange the man stood like a
statue, half invisible among the shadows. Only his face, wrung with
emotion, gleamed pale through the darkness. Out from the window,
ablaze with much illumination, out into the cool, still night came the
wonderful music tugging at his heartstrings, sending the blood rushing
through his veins at fever heat.
The song swelled and the music grew, and with it his impotence. Then
came the end--the dying away of that long sustained, melodious note,
the crash of chords on the piano, the buzz of applause, merging into
conversation.
Public-domain text, read in full here on John Shaqi.
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