New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
Margeret Radpath saw him seldom, but even on those rare occasions she
noticed how much graver and more troubled he seemed to be as time went
by. Was Samuel Skerry so cruel to him, she wondered; was life within the
same four walls with the shoemaker’s rasping tongue so hard to bear? She
wished often that she might know the truth of the matter and whether she
or her father could be of any help.
She was sent one day with Master Simon’s great snow boots that must be
mended before the winter, and she tried, all the way across the field,
to summon courage enough to offer Roger some word of sympathy and
friendship. The shoemaker’s cottage, with its wide-spreading eaves and
small deep windows looked somehow of a very lowering and forbidding
aspect, as she made her way with failing spirit up the stone-flagged
pathway to its door. It had been built almost the first of the cottages
of Hopewell, not by Samuel Skerry, but by a stout-hearted weaver, one of
the earliest settlers. He had gone now to dwell in Salem but throughout
the first and most troubled years of the Colony’s history he had lived
here all alone. There was a tale that once an Indian, whom the weaver
had made an enemy, had come there in the night seeking to kill the white
man who was so bold as to dwell by himself. The weaver, a man of mighty
strength, had overpowered the Indian, had cut the web from his loom and
had bound his struggling foe to the great armchair that stood by the
fire. Then he had calmly mounted once more to his high bench, had set up
his weaving and had toiled busily the whole night through, singing as he
worked. Neighbours came in the morning and, at the weaver’s orders,
released the Indian who slunk off into the forest inspired with a
wholesome dread of these mad white men who feared nothing. Margeret
thought, as she came up the path, that the cottage looked like just the
place where stirring things might have happened in the past and might
some day happen again.
On peeping in through the open door she saw that the loom had never been
taken down and that even the weaver’s great armchair still held its
place before the fire. It seemed dark within, after the bright sunshine
outside, but she could make out the figure of Roger Bardwell bending
over the shoemaker’s bench in the further corner of the room. His work
lay unfinished on his knee and his face was buried in his hands. Utter
weariness and despair spoke in his whole attitude. He sprang up quickly,
however, when he heard her footstep and greeted her with his shy smile.
“Why, Mistress Margeret,” he was beginning, when he was interrupted by
the opening of the back door of the cottage and the abrupt entry of
Samuel Skerry.
“So,” said the shoemaker to Margeret, “you have an errand here? Then
state it quickly, for ours are busy days and time means good money.”
Dismayed at his harsh tone, Margeret quickly drew the heavy boots from
under her arm.
Public-domain text, read in full here on John Shaqi.
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