New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
Since Master Simon’s fields must be tilled by other hands now, and their
living therefore had grown less abundant, Margeret had become mistress
at the little school, built beyond the meeting-house at the end of a
winding lane. It was hard often for her to sit so many hours within
doors, listening to the children droning away at their lessons, when she
was so used to being in the fresh air the live-long day. She made a good
school-mistress, nevertheless, as was proved by the lessons so well
learned under her careful eye, although the bundle of birch rods, the
former master’s most familiar tool, lay upon its pegs above the door, so
little used that a delicate spider web, spun between the tips of its
twigs, had hung there the whole year through. The children came laughing
and romping down the schoolhouse lane with many a tribute of flowers and
red apples for the teacher they loved. One day, a pleasant, growing,
Spring day, when she was most impatient to be outside, she had seen the
little daughter of Goodwife Page, playing with a long, dusty sunbeam
that fell from the high window across her spelling-book. When the child
looked up anxiously, fearing reproof, Margeret had only smiled in return
and the little girl had gone happily back to her work.
“After all,” Margeret thought, as she looked about her at the fresh,
bright faces, “this is only another kind of a garden.”
And often, on summer days, when the air was quiet and the children’s
voices filled the room with a busy humming like a hive of bees, she
would think of the lives and characters that they were building up for
themselves and remember Master Simon’s line:
“The singing masons building roofs of gold.”
There was some one else who came daily down the schoolhouse lane, and
waited at the door for lessons to be over. Roger Bardwell, whether it
rained or shone, was always there to walk home with the school-mistress
and to stay for a few minutes, chatting with Master Simon, when they
reached her door. For a year he had been doing so, although the first
day of it and the first look of welcome in his blue eyes when he met her
coming up the lane, told Margeret that he loved her. But of this he had
never spoken, nor ever broken the silence of that mystery as to who he
was or whence he had come. What with this silence, and with her other
anxieties, the girl had begun to carry a heavy heart as she went about
her labours of the day.
Upon this Sabbath afternoon, as the service ended and the grave-faced
congregation came out into the winter twilight, Roger Bardwell walked at
her side again, down the steep path where the snow creaked under their
feet.
“Margeret,” said he, “I have news for you that, I fear, threatens
trouble.”
“What is it?” she asked quickly, then voicing her first thought. “Does
it concern my father?”
“Yes,” he answered, “it concerns him and you and me. I believe that
Samuel Skerry has made up his mind to speak at last.”
Public-domain text, read in full here on John Shaqi.
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