New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
She rested at last upon the bench under the linden tree, dreaming of the
never-to-be-forgotten beauty of that still June evening in England,
fifty years ago.
“But who can call it so far gone by,” she said to herself at last, “when
the same rose that I plucked that night from the vine on the cottage
wall, still blooms beside my doorstep here in the New World. It is a
good God that gives us the flowers to hold our youth and old age
together.”
She sat for some little time, her chin upon her hand, looking across the
banks of white flowers and sniffing at the fragrance that filled the
warm air, but finally rose with a determined mien.
“I sit dreaming here like a foolish old crone,” she muttered, “and
forget my errand so that those two young things will be coming back to
laugh at me and my old-fashioned ways. Ah, but I mind how my mother
stood in the bright Spring sunshine and told the bees of my wedding day,
while Jock Parsons and I sat laughing upon the doorstep and said it was
no use. That is the way of youth!”
As she was walking across the grass toward the row of beehives under the
apple trees, her attention was attracted by a little twinkling light
that shone out from Samuel Skerry’s cottage. She stood a moment to watch
it idly and then became aware that it was moving toward her, jerking and
halting, it was true, but passing very slowly down the path toward the
gap in the hedge.
“Now what can the rascal have on foot?” she questioned. “Nothing good,
for that I will answer.”
The light came through the hedge and advanced slowly up through the
garden. She could see Samuel Skerry now, leaning over as he shuffled
along, carrying a candle in one hand and something heavy and awkward in
the other. Presently he paused, set his burden down and turning, hurried
back the way he had come. Consumed with curiosity, Goody Parsons hobbled
forward as fast as she could to see what he had left.
“I would give my best new bonnet,” she told herself, “the one I bought
seven years ago last Michaelmas, to know what the villain is about!”
What he had left proved to be a big iron pot, filled with hot liquid
that still bubbled and steamed. Goody Parsons dipped in an inquisitive
forefinger and tasted it.
“Salt,” she exclaimed, “hot salt water!”
She was still marvelling over this new mystery when she observed that
Skerry was returning, and retreated hastily to the shelter of the apple
tree. He was carrying a second pot, bigger and heavier than the first,
which he set down with a grunt of relief.
“Now,” she heard him mutter, “we will see what we can do for Master
Simon and his precious garden.”
He had blown out the candle so that she could scarcely see what he was
about, but a sudden swish and splash of hastily poured out water gave
her a notion of his evil purpose.
“Samuel Skerry,” she shrieked, hobbling toward him and holding up a
shaking hand; “Samuel Skerry, what are you doing?”
Public-domain text, read in full here on John Shaqi.
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