The musicians in the balcony overhead were tuning up. There was a flute,
a viol, a gittern, a fiddle, and a drum; and behind the curtain, just
outside the door, Nick could hear the master-player’s low voice giving
hasty orders to the others.
So he said his lines all over to himself, and cleared his throat. Then
on a sudden a shutter opened high above the orchestra, a trumpet blared,
the kettledrum crashed, and he heard a loud voice shout:
“Good citizens of Coventry, and high-born gentles all: know ye now that
we, the players of the company of His Grace, Charles, Lord Howard, High
Admiral of England, Ireland, Wales, Calais, and Boulogne, the marches of
Normandy, Gascony, and Aquitaine, Captain-General of the Navy and the
Seas of Her Gracious Majesty the Queen—”
At that the crowd in the courtyard cheered and cheered again.
“—will, with your kind permission, play forthwith the laughable comedy
of ‘The Three Grey Gowns,’ by Master Thomas Heywood, in which will be
spoken many good things, old and new, and a brand-new song will be sung.
Now, hearken all—the play begins!”
The trumpet blared, the kettledrum crashed again, and as a sudden hush
fell over the throng without Nick heard the voices of the players
going on.
It was a broad farce, full of loud jests and nonsense, a great thwacking
of sticks and tumbling about; and Nick, with his eye to the crack of the
door, listened with all his ears for his cue, far too excited even to
think of laughing at the rough jokes, though the crowd in the inn-yard
roared till they held their sides.
Carew came hurrying up, with an anxious look in his restless eyes.
“Ready, Nicholas!” said he, sharply, taking Nick by the arm and lifting
the latch. “Go straight down front now as I told thee—mind thy
cues—speak boldly—sing as thou didst sing for me—and if thou wouldst
not break mine heart, do not fail me now! I have staked it all upon thee
here—and we _must_ win!”
“How now, who comes?” Nick heard a loud voice call outside—the
door-latch clicked behind him—he was out in the open air and down the
stage before he quite knew where he was.
The stage was built against the wall just opposite the gates. It was but
a temporary platform of planks laid upon trestles. One side of it was
against the wall, and around the three other sides the crowd was packed
close to the platform rail.
At the ends, upon the boards, several wealthy gallants sat on high,
three-legged stools, within arm’s reach of the players acting there. The
courtyard was a sea of heads, and the balconies were filled with
gentlefolk in holiday attire, eating cakes and chaffing gaily at the
play. All was one bewildered cloud of staring eyes to Nick, and the only
thing which he was sure he saw was the painted sign that hung upon the
curtain at the rear, which in the lack of other scenery announced in
large red print: “This is a Room in Master Jonah Jackdawe’s House.”
Public-domain text, read in full here on John Shaqi.
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