remarkable because the father was uneducated, and
the son had drunk deep of the waters of Oxford
scholarship.
With the sister, Helen, the case was very different.
Arthur had inherited from his father the gift of
self-poise. He knew how to look at things with a single
eye, to meditate on them in silence, and to take up
an attitude of his own toward them. Helen's whole
nature was of lighter calibre. She was a girl easily
influenced by chance acquaintance, more ready to
enjoy life than to examine its underlying elements, in
all things more comformable to conventions. When
she came home from an expensive finishing-school,
she brought with her less her own character than a
character imposed upon her by her teachers. She took
her place in life with an instant alacrity of
adaptation; formed a dozen light-hearted friendships,
became popular for her vivacity and gaiety, and in her
heart thought her father dull. She had none of the
sense of his essential bigness that Arthur had. She
had no curiosity about him: he was simply an element
in the convenient furniture of her own life. She
sometimes wished him a little more polished, resented
his brusque manners, misunderstood his heavy silence,
and was inclined to be ironical about his social
ambitions. Yet these same social ambitions were the
chief common bond between them. Through them she
saw her road to a life that would gratify her vanity.
Somewhere, in the dim future, she discerned a golden
world, which she hoped to enter when her father's
force of character had broken down the barriers of
social caste. What her father's character really was, or
by what means he meant to reach that desirable golden
world, she did not ask. As long as the result was
reached, she had no curiosity about the process.
Public-domain text, read in full here on John Shaqi.
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