Coming home one night along the Lonsdale Road, Arthur found Hilary
Vickars standing at his garden gate, taking the air. It was June, that
most exquisite of all months in London, when the perfume of summer
finds its way into the narrowest streets, and the imprisoned people
thrill with a new sense of freedom and deliverance. In the soft
twilight even Lonsdale Road was touched with the idyllic; its impudence
of newness was concealed under a faint wash of mauve, and its tiny
gardens were fresh with the scent of mown grass.
Hilary Vickars himself seemed softened with the hour; when he spoke to
Arthur there was a new kindness in his voice. Perhaps he could not
have explained his mood; few of us can explain these sudden softenings
that come to us, sometimes through the influence of external things,
sometimes from the welling up in us of founts of tenderness which we
had thought for ever sealed. A gust of wind among the trees, a bird's
song in the dusk, a girl's voice at her piano, in its first fresh,
unrestrained sweetness--who of us cannot recall how things as slight as
these have had a strange power to provoke some crisis of emotion, which
perhaps has coloured all our after-life? Hilary Vickars had been
listening that night to his daughter as she sang. She had sung a song
her mother had been fond of, and in the mind of the widowed man all the
past had leapt into agonised distinctness. And from that he had passed
to the perception of the daughter's likeness to her mother, and to the
pathos of her youth. Her voice yet lingered in the air, as he stole
out of the room, and stood bareheaded at the garden gate. And then he
saw Arthur coming up the road, and as his eye rested on the slim,
graceful figure he again realised this infinite pathos of youth.
"He wants help, and I ought to help him," was his instant thought.
Hitherto a kind of pride had imposed a barrier of reserve between
himself and Arthur. He had seen him as a rich man's son, the member of
a class for which he had only scorn and anger. But now he saw him
simply as a youth launching his frail bark upon the perilous sea of
life, and he loved him. So Nature wrought within him, using his
softened mood for her own ends, and with Nature came Destiny, casting
the first threads of her inscrutable design upon the loom of life.
He held his hand with a lingering pressure, and then said, as if
obeying a resolve imposed upon his own will rather than suggested by
it, "Won't you come in?"
He led the way into the house, and Arthur followed with a glad alacrity.
The narrow hall-way opened upon a room at the back of the house, which
served both as living-room and library. The only light in the room
came from two candles on the piano brackets. Between them sat a young
girl, her fingers still upon the keys, her face, rayed with the nimbus
of the candlelight, turned upward with a charming air of expectation
and surprise.
Public-domain text, read in full here on John Shaqi.
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