Masters of Space: Morse and the Telegraph; Thompson and the Cable; Bell and the Telephone; Marconi and the Wireless Telegraph; Carty and the Wireless Telephone — John Shaqi
Masters of Space: Morse and the Telegraph; Thompson and the Cable; Bell and the Telephone; Marconi and the Wireless Telegraph; Carty and the Wireless TelephoneTowers, Walter Kellogg
History
Masters of Space: Morse and the Telegraph; Thompson and the Cable; Bell and the Telephone; Marconi and the Wireless Telegraph; Carty and the Wireless Telephone
Towers, Walter Kellogg
Bell, Alexander Graham, 1847-1922; Carty, John J. (John Joseph), 1861-1932; Kelvin, William Thomson, Baron, 1824-1907; Marconi, Guglielmo, marchese, 1874-1937; Morse, Samuel Finley Breese, 1791-1872; Radio; Telegraph; Telegraph, Wireless; Telephone
That he might have a model for his painting Morse had molded a figure
of Hercules in clay. At the advice of West he entered the cast in a
competition for a prize in sculpture, with the result that he received
the prize and a gold medal for his work. He then plunged into the
competition for a prize and medal offered by the Royal Academy for the
best historical painting. His subject was, "The Judgment of Jupiter
in the Case of Apollo, Marpessa, and Idas." Though he completed the
picture to the satisfaction of West, Morse was not able to remain in
London and enter it in the competition. The rules required that the
artist be present in person if he was to receive the prize, but Morse
was forced to return to America. He had been in England for four
years--a year longer than had originally been planned for him--and he
was out of funds, and his parents could support him no longer.
Morse lived in London during the War of 1812, but seems to have
suffered no annoyance other than that of poverty, which the war
intensified by raising the prices of food as well as his necessary
artist's materials to an almost prohibitive figure. The last of the
Napoleonic wars was also in progress. News of the battle of Waterloo
reached London but a short time before Morse sailed for America. It
required two days for the news to reach the English capital. The young
American, whose inability to sell his paintings was driving him from
London, was destined to devise a system which would have carried the
great news to its destination within a few seconds.
But while he gained fame in America and secured praise and attention
as he had in London, he found art no more profitable. He contrived to
eke out an existence by painting an occasional portrait, going from
town to town in New England for this purpose. He turned from art
to invention for a time, joining with his brother in devising a
fire-engine pump of an improved pattern. They secured a patent upon
it, but could not sell it. He turned again to the life of a wandering
painter of portraits. In 1818 he went to Charleston, South Carolina,
at the invitation of his uncle. His portraits proved very popular and
he was soon occupied with work at good prices. This prosperity enabled
him to take unto himself a wife, and the same year he married Lucretia
Walker, of Concord, New Hampshire.
Public-domain text, read in full here on John Shaqi.
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