Masters of the English Novel: A Study of Principles and PersonalitiesBurton, Richard
History
Masters of the English Novel: A Study of Principles and Personalities
Burton, Richard
English fiction -- History and criticism
This clearly marks a distinction: it gives a hint as to the
departure made by Richardson in 1742, when he published
"Pamela." It is not strictly the earliest discrimination between
the Novel and the older romance; for the dramatist Congreve at
the close of the seventeenth century shows his knowledge of the
distinction. And, indeed, there are hints of it in Elizabethan
criticism of such early attempts as those of Lyly, Nast, Lodge
and others. Moreover, the student of criticism as it deals with
the Novel must also expect to meet with a later confusion of
nomenclature; the word being loosely applied to any type of
prose fiction in contrast with the short story or tale. But
here, at an early date, the severance is plainly indicated
between the study of contemporary society and the elder romance
of heroism, supernaturalism, and improbability. It is a
difference not so much of theme as of view-point, method and
intention.
For underlying this attempt to come closer to humanity through
the medium of a form of fiction, is to be detected an added
interest in personality for its own sake. During the eighteenth
century, commonly described as the Teacup Times, an age of
powder and patches, of etiquette, epigram and surface polish,
there developed a keener sense of the value of the individual,
of the sanctity of the ego, a faint prelude to the note that was
to become so resonant in the nineteenth century, sounding
through all the activities of man. Various manifestations in the
civilization of Queen Anne and the first Georges illustrate the
new tendency.
One such is the coffee house, prototype of the bewildering club
life of our own day. The eighteenth century coffee house, where
the men of fashion and affairs foregathered to exchange social
news over their glasses, was an organization naturally fostering
altruism; at least, it tended to cultivate a feeling for social
relations.
Again, the birth of the newspaper with the Spectator Papers in
the early years of the century, is another such sign of the
times: the newspaper being one of the great social bonds of
humanity, for good or bad, linking man to man, race to race in
the common, well-nigh instantaneous nexus of sympathy. The
influence of the press at the time of a San Francisco or Messina
horror is apparent to all; but its effect in furnishing the
psychology of a business panic is perhaps no less potent though
not so obvious. When Addison and Steele began their genial
conversations thrice a week with their fellow citizens, they
little dreamed of the power they set a-going in the world; for
here was the genesis of modern journalism. And whatever its
abuses and degradations, the fourth estate is certainly one of
the very few widely operative educational forces to-day, and has
played an important part in spreading the idea of the
brotherhood of man.
Public-domain text, read in full here on John Shaqi.
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