Great Britain -- History -- Medieval period, 1066-1485 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
He had counted upon this. Rising, he bowed to the Count and his
daughter, and began:
“In the month of Arcady
Green the summer meadows be,--
When the dawn with fingers light
Lifts the curtains of the night,
And from tented crimson skies
Glorious doth the sun arise,--
Who are these who give him greeting,
On swift wings approaching, fleeting,--
Who but birds whose carols bring
Homage to their gracious King!
“Lo! the Queen of Arcady
From the land of Faery
Gladdens our adoring eyes,
Fair and gentle, sweet and wise,
Her companions here on earth
Love and Loyalty and Mirth!
Who, the joyous tidings hearing,
Fly to greet her, now appearing?
Aphrodite's pigeons fleet,--
See, they gather at her feet.”
No one had heard a low clear call from the boughs of the tree overhead,
or seen the figure of a small boy in a fantastic tunic of goatskins,
slipping down the tree-trunk near Ranulph. As the company rose from the
table the troubadour moved away a little, still thrumming his refrain,
and in that moment there was a whir of sudden wings and the air was dark
with pigeons. As the birds alighted Lady Philippa was surrounded by the
pretty creatures, and in a graceful little speech Ranulph presented to
her Peirol as a Faun, the Master of the Pigeons, who had brought them to
do homage to their sovereign lady.
It was just the sort of informal pageant to delight the heart of
Provence. No more dainty and captivating interlude had been seen at a
festival.
There was a great deal of wonderment about the way in which the scene
had been arranged, but it was really quite simple. According to the
usual fashion the guests were seated on only one side of the table,
the other side being left free for the servants to present the various
dishes. The company faced the river, and the trees that canopied the
table were behind them. Nothing, therefore, hindered Peirol from luring
his pigeons to a point within hearing of his voice, and concealing
himself in the thick leafage until Ranulph gave the signal for them to
be brought upon the stage. Most of the afternoon was spent in watching
and discussing Peirol and the pigeons.
“A pigeon has certain advantages,” observed Gualtier Giffard, as he
and the troubadour, sitting a little way from the others, watched the
carriers rise and circle in the air. “He need only rise high enough to
see his goal,--and fly there.”
“Pity but a man might do the same,” said Ranulph lightly. The eyes of
the two young men met for an instant in unspoken understanding. Under
some conditions they might have felt themselves rivals. But neither the
penniless younger son of a Norman house, nor a landless troubadour of
Avignon, had much hope of meeting Count Thibaut's views for his only
daughter.
Public-domain text, read in full here on John Shaqi.
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