Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
No sooner had the faltering creature reached the steps of the carriage,
than a blithe female voice rang out from a window on the third story:
'Welcome, Berthe--welcome, our little song-bird.'
The girl raised her eyes in a stupefied daze, her frame quivered, the
blood fled from her cheeks, and for the second time she sank into the
arms of our friend, who stood luckily behind her, in a profound swoon;
but this time it was a swoon of joy.
CHAPTER IV.
THE SONG-BIRD'S NEST.
Joy seldom kills. Before the female figure, whose apparition at the
window had thrown the girl, so strangely fallen under O'Hara's
protection, into her second swoon, had time to trip down the stairs, the
attack had spent itself, even without the intervention of the
brandy-flask of him whose name was not Beelzebub. The sensitive creature
was smothered with kisses by her friend, the while the two male
observers of the situation looked on and at each other with a comical
stare of envy. The newcomer was a slender, willowy woman, of a
meridional cast of countenance--hair rich and dark in hue, features
proud and delicately chiselled, and complexion swarthy. She was tall in
stature and gracefully built, but rather inclined to the meagre, and
seemed as if she had aged before her time. She might not have been more
than twenty-three, but she looked as if verging on thirty, and yet there
was quite a youthful impetuosity in her manner, and springiness in her
movements, as she literally devoured her little friend in her embraces.
In the middle of this tantalizing greeting, he whom we shall call
Friezecoat, for want of an introduction, called out in his rough and
ready voice:
'Ho, ho, my pets! I protest against this, unless we lords of creation
are admitted into the arrangement.'
The brunette turned a look of chilling surprise at him, as if
questioning who was this intruder who spoke so familiarly. Then, holding
the little girl of the chestnut hair, whom she saluted as Song-bird, at
arm's-length, as if to examine the Song-bird's plumage, she exclaimed:
'Berthe, you little fool, why did you faint? How do you account for
coming home thus?'
The only answer Berthe made was to lean her head forward on her friend's
breast and burst into tears.
'How like that woman is to Marguerite _la modiste_!' whispered O'Hara to
Friezecoat. 'I'm not astonished at her she calls Berthe having mistaken
the body in the Morgue.'
'Oh, Caroline dear, then you are alive!' said little Berthe, at length
finding words amid her sobs.
'Alive!--yes, really alive, _ma mignonne_, and I shall be chastising you
presently to prove it, if you don't dry those tears. Why do you weep?'
'I went into the Morgue to see the body of a girl who had drowned
herself, and, oh! it was so like you; and then, you know, Caroline,
you've been away those three days.'
'And have I never been at Choisy-le-Roi for three days before?
Giddy--giddy girl, you've been to the Morgue. Don't tell this to the
grand-père.'
Public-domain text, read in full here on John Shaqi.
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