Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
A narrow courtyard, weakly vines trained along the wall on one side and
a range of rooms destined for lodgers on the other, conducted to the
Pension, which was a tall, narrow house, surmounted by a belvedere. A
few noisy fowls in a preternatural state of activity promenaded the
yard; a lazy dog, preternaturally lazy, too lazy even to bark, lay
curled in a corner. But the grand feature of the pension was a
one-storied wooden house, such as are frequently to be met with in
Switzerland, containing two bedrooms underneath and two in the upper
floor, which was approached by a staircase from the outside, prolonged
into a balcony, which ran in front of the structure under the shelter of
the over-hanging eaves. Friezecoat lived in this châlet. As they drew
near, the cock, at the van of his plumed seraglio, crowed like a proud
French cock; the dog moved his head and gave an indolent growl.
'Let us go aloft,' said Friezecoat, stepping on the staircase.
'I pay for these two rooms on the top, I tenant but one,' continued he;
'I have the staircase to myself, so that I can be isolated when I like.'
'You are comfortably situated,' said O'Hara, glancing round the room
into which they had entered, which was a square cleanly-papered
bed-chamber plainly furnished. A timepiece ticked on the mantel-shelf
under a neat mirror, a secretaire stood between it and the window, which
was furnished with _persiennes_, adding to the general appearance of
rusticity. A book-case, over which was disposed a trophy of pistols,
foils, and boxing-gloves, and having on either side prints of Protais'
celebrated sketches of the Chasseurs de Vincennes at work, _Avant
l'Attaque_ and _Après le Combat_, was fixed against the wall directly
opposite the door. A fauteuil, four rush-bottomed chairs, and a commode
completed the inventory of the furniture. A screened alcove concealed
the bed, and a nook in the same side of the room was cut off by a
partition and apportioned to the services of ablution.
'The view is not splendid,' said the stranger, seating himself in the
fauteuil and motioning O'Hara to a rush-bottomed chair: 'that wall with
the high trellis confines it; outside is the playground of some sort of
an institution. I like to hear the buzz of the boys amusing themselves;
it brings back my youth; then the green trees, as I see them waving
through the lattice, call up the country. Altogether,' with a tone of
enthusiasm in his voice, 'I like the shanty; it's a bit of Switzerland
in this Paris.'
'You go in for muscularity,' hinted O'Hara, glancing at the trophy of
arms.
'I have found it necessary in my career,' replied the stranger quietly.
'Smoke?'
'Yes.'
The stranger brought out a superbly-mounted Turkish pipe from a drawer,
and handed it to his visitor. 'Will you try hasheesh?'
O'Hara declined.
'I like it now and again. It lifts me into an ideal world--makes me
forget the real. Drink?'
O'Hara accepted.
Public-domain text, read in full here on John Shaqi.
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