Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
The breakfast put them all--even the surgeon--into good humour. O'Hara
knew how to draw up a bill of fare, and O'Hoolohan had given him _carte
blanche_ as to the outlay. There was everything at the repast, in season
and out of season, that could be had for money--truffles of Perigord,
melons of Cavaillon, oysters of Cancale, Montmorency cherries, and
Montreuil peaches, beside vintage and viands generous of quality and
copious in quantity.
When the repast was finished, and the customary _demi-tasses_ of black
Mocha, with the small glasses of liqueur beside, were laid upon the
table, O'Hara gravely stood up in his place at the head, which had been
tacitly conceded to him, and demanded the word--the French parliamentary
equivalent for asking permission to make a speech.
The permission was cordially granted by word of mouth from those whose
mouths were empty, by token of assent from those who were still cracking
nuts or coaxing tobacco into vaporous circulation.
'Messieurs,' he began, 'having satisfied honour and our appetites, I
claim a few words on behalf of common-sense and conservatism. Firstly, I
am a Conservative--that is to say, I am tenacious of traditions among
other things; and it is a tradition of my country never to loose a
chance of making a speech. Several of my relatives carried the habit to
such an extent that they made public discourses on their dying
day--discourses which were discourteously interrupted by vile public
functionaries. (Emotion.) Messieurs, you who are not vile, and who are
not public functionaries, and, indeed, who are never likely to be public
functionaries--you, I trust, will not interrupt me. (Cries of 'No, no.')
I was sure of it. You yourselves are disciples of this great art of
oratory. You cultivate it at the risk of coryza over the newly-filled
graves of dead friends. (Here Blue Spectacles and Pale Face winced.)
Much as I admire eloquence, I am sincerely glad that there was no
occasion for rhetorical display of that kind this morning, and this it
is which brings me to the common-sense side of my subject. Messieurs, in
the light of pure common-sense, I have a proposition to lay before you.
It is this:--We are all asses. (Astonishment and attention.) Asses, if
not worse, I repeat. If either of the principals in this morning's work
were to have killed the other, he would be now a homicidal ass, and that
other would be that very rare animal--a dead ass. (Sensation.) As I
should be one of the accessories, I refrain from dwelling on what their
position would be. Messieurs, the duello is a folly--nay, more, it is a
crime. What does it prove? Not that the survivor is truer or better than
the slaughtered, but that he is luckier, or more skilful, or has less
command of the nerves that are in him, not of himself so much as of
nature. Both of you, gentlemen (addressing the Gascon and O'Hoolohan),
have good command of nerves. Let me hope in the future you will have
better command of temper.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account