Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
'Gentlemen, it's getting late,' cried O'Hara. 'We had better to
business,' and he led the way, thrusting his bicycle by his side,
through a gap in the field across to a postern in the wall of a villa
garden, which was all he had described it--perfectly secure from the
notice of passers-by. The doctor laid his fiddle-case on the grass,
opened it, and displayed the shining instruments. The ground was stepped
by the young Irishman. Traces were made with chalk at the extremities,
twenty paces asunder, and at the further five paces, in front of each
adversary's position, beyond which they were not to advance. O'Hara
loaded the pistols and gave them to the Gascon's witnesses to examine.
This they did in a very perfunctory way. The truth is, both were
ignorant of the manner of loading a pistol, and, if they had the task to
accomplish themselves, were as likely as not to put in the wad before
the powder. The pistols were of the percussion and ramrod type, and the
charges of powder and ball were supposed to be put in separately and
driven home.
'Take your choice,' said O'Hara to Blue Spectacles.
Blue Spectacles took the first to his hand, adding that with such an
honourable man there was no room for choice.
'Let your principal take what position he pleases,' said O'Hara, bowing;
'it's immaterial to us.'
They got into their places, each in that nearest to where he was
standing at the moment.
'Ready?' asked O'Hara.
Both nodded acquiescence.
'Who shall drop the handkerchief?'
'Will you oblige?' prayed Blue Spectacles, with a tremor in his voice.
'All right!'
The handkerchief was dropped.
Almost instantaneously the Gascon fired. The smoke lifted. O'Hoolohan
stood erect, unhurt, a placid self-possessed expression on his set
features.
O'Hoolohan slowly moved five paces, halted; gradually raised his weapon,
and deliberately aimed first at the Gascon's heart, then at his brain.
It was a cruel experiment, but the Gascon bore it with splendid
courage. His complexion paled, it is true, and his mouth was restive,
but his gaze was bold and almost disdainful. O'Hoolohan raised the
pistol still higher, turned its muzzle perpendicularly, and discharged
it into the air, quietly saying, 'You are no coward; I am sorry for the
expression!'
After such a scene it was impossible to renew the combat. The Gascon, in
his turn, retracted the hasty language he had used, and the entire party
betook them to the hostelry where breakfast had been ordered by O'Hara's
care, all satisfied--except the surgeon, who had theories about gunshot
wounds, and was not averse to having practice in their treatment.
Public-domain text, read in full here on John Shaqi.
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