Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
But by far the largest assemblage was drawn to a stout acrobat in faded
tights, which might have been washed at some remote era, bedizened with
spangles that revealed a faint tradition of glitter. He had an amazing
flow of impudent 'patter,' this acrobat, and let it spout
uninterruptedly as he flung up little metal rings, in quick succession,
high in the air, catching them as they fell on a tin cone, strapped to
his forehead, in the fashion of a unicorn's horn. Sometimes he missed
them, and they slapped with a crack on his skull, and rolled off behind
by a bald channel, which frequent misadventure of the kind had worn in
his hair. But the spectators were as highly amused when he failed as
when he succeeded--indeed, more so, if the truth must be told--for had
they not a hit and a miss together? When the cone was encircled with
rings, he flung up a monster potato, impaling it on the spike as it
descended, amid the acclamations of his admirers.
'Come along, Pat,' said O'Hara; 'here is something more in our line,' as
he passed to another group, before which the owner of a troop of
educated dogs and cats was performing.
'This is M'sieu Rigolo,' cried the showman, as he placed one chair
reversed on another, and taking a poor cat, that looked as if it
couldn't get up an emotion at a family of mice round a Stilton cheese,
balanced its claws consecutively lengthwise and crosswise on the
upstanding legs. When the cat had been sufficiently tortured it was
dismissed, to its evident satisfaction, to the basket which served as
green-room to the perambulating theatre.
'Present yourself, M'sieu Romulus,' cried the showman, and a poodle of
remarkably subdued mien reluctantly entered the arena, much as a slave
who was devoted to the lions might have done in the old Roman times.
M'sieu Romulus had not the boldness of his illustrious namesake of
antiquity, but he had more than his sagacity. His strong point lay in
detecting the most amorous man, the most beautiful lady, the greatest
idler and so-forth in the surrounding company. The showman, putting a
card in his mouth, asked him to point out such a one. Romulus stood up
in the attitude dogs are wont when asked to beg, moved carefully round
and finally trotted off in the way he should go, and dropped the card at
the feet of the chosen person.
Romulus was dismissed in his turn to the green-room, and the showman
called for Mademoiselle. The call was responded to by one of the saddest
short-eared dogs ever seen, girt round the middle with a miniature
crinoline which made the creature a grotesque caricature of a woman in
the prevailing fashion as she hopped into the circle painfully on her
hind-legs.
Public-domain text, read in full here on John Shaqi.
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