Australia -- Fiction; Family life -- Fiction; Married women -- Fiction; Mothers -- Fiction
I confess I did not take to Mrs. Harris. I should not have liked any one
coming in our way as she did, when we wanted to be free and peaceful,
but she was particularly repugnant to me. She gushed too much; she
talked too familiarly of Tom--to me also, not discriminating between
one captain's wife and another; and she accosted the servants and
officers as they passed quite as if the ship belonged to her. However, I
stood it as long as she chose to sit there, making herself pleasant, as
she doubtless supposed. As soon as it occurred to her to go and look at
her cabin I seized my hood and cloak, and went to seek sanctuary on the
bridge with Tom. It was nearly six o'clock, and he was just casting off.
"Oh, Polly," he said, turning to me with a slightly worried air, "you
wouldn't mind staying on deck till we get down the river a bit, would
you, pet? It don't look professional, you know, for ladies to show up
here. And Mrs. Harris might----"
I interrupted him in what he was going to say, because anything to do
with Mrs. Harris had nothing whatever to do with the case.
"Passengers," said I, "are one thing--the captain's wife is
another--_quite_ another--and especially when the old man has asked me,
as a sort of favour to himself, to make myself at home, as he calls it.
Is he on the wharf, by the way? I should like to wave a hand to him. It
would please him awfully. Thank Heaven, we are not subject to Mrs.
Harris, nor to anybody else, on board this, ship. That's the beauty of
it."
"I feel in a sense subject to Watson," said Tom, "and he's a punctilious
sort of chap. I don't care to seem to make too free with his
command--for it's his, not mine. And there are heaps of people about
besides the old man. You really would oblige me very much, Polly----"
"Oh, of course, dear!"
I saw his point of view, and at once effaced myself. I went into the
little bridge house, just behind the wheel--he was satisfied with
that--where I could see him close to me through the bow window, and
speak to him when I chose. He lit the candle lamp at the head of the
bunk, so that I could lie there and read; but I did not want to read. I
preferred to stand by the window, which held all there was of table--the
top of drawers and lockers--on which I spread my arms, propping my face
in hollowed palms, and to look out upon the river with the sunset upon
it, and the fading daylight, and the starry lights ashore. To call that
city-skirting stream romantic is to provoke the derision of those who
know it best, but it _was_ romantic that night--to me. Anything can be
romantic under certain circumstances, in certain states of atmosphere
and mind.
Public-domain text, read in full here on John Shaqi.
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