As they chatted, Dorot and he had reached the house. Geneviève was
waiting for them at the doorway, surrounded by the three children who
laid hold of and talked to her all at once. After an exchange of their
accustomed friendly greetings, she went in, with the two keepers, whilst
Michael drew off Francine and Josèphe towards _Brunette_, who was
waiting for them on a pinnacle of rock, eyeing them and bleating at
them. The youngster, accustomed to chase his father's sheep upon the
declivities of the Ile des Morts, endeavored to get at her; but the
capricious creature sprung from point to point along the precipices,
letting herself at every moment almost be caught, and at every moment
bounding away from the hand that just could touch her.
Whilst the children kept up this chase, with a thousand calls to one
another and a thousand peals of laughter, Ropars and Dorot entered the
eating-room in which Geneviève was already laying the cloth. It was a
room of middling size, furnished by the keeper himself at the period of
his marriage, and ornamented with a few marine engravings. Amongst these
was particularly distinguished a portrait of Jean Bart, that nautical
Hercules on whom, as all the world knows, his traditional celebrity has
fastened all manner of superhuman exploits and impossible adventures.
Having made his guest sit down, Mathieu went off to disinter his bottle
of Rousillon wine; and brought it back all whitened with the sand, and
capped with a green-waxed cork that bespoke its noble birth-place. Dorot
good-temperedly complained of such extravagance, and hinted that he
could not make his visit a long one, inasmuch as the officer commanding
the post of the Ile des Morts had charged him to bring the skiff back
before sunset. Geneviève therefore hurried herself to serve up the
dinner, and called the children to take their places at table.
Public-domain text, read in full here on John Shaqi.
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