Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
Life on the Mississippi and in Missouri, life is that which when
undertaken is not bashful. Why should it be bashful. Suppose there comes
the time which shows that there was a difference, is this any disgrace,
does this make pride, it does not make pride but it does make secretion,
and what is secretion, secretion is that amusement which every little
mark shows as merit. A mark is very necessary. Suppose there is a mark
well then there is a mark.
All the mark comes, all the mark is, all there is is a mark, all there
comes comes to mark, a mark has that character and that price, a likely
price a completely likely price.
Not seasoning a turnip, this does make a story, it makes this story, it
tells how what is just alike has no difference. The patience for that is
not denied.
Daylight is measured by there being a dinner a staple sobriety and a
wise widow. Day-light is not meant by the evening and too much
repetition.
A feather, what is a feather, a feather is restraint, and this shows in
yellow, it does not show in every color.
Why is there white which is creamy, there is white which is creamy
because it is necessary.
The whole cabinet shows that uselessness is not tearful. No excitement
is necessary, it is sadness that is eaten.
A window and a wife, a chair and a stable, all very likely to be in the
habit of extracting precise results. This is so manifest, it is so
precious and perfect.
A plain light, what is a plain light a plain light is twinkling. Is
there any credit given when there is a frog, there is not. All the same
it is very good to be busy, to be gracious and to be religious, it is
very good to be grand and disturbed and exchanging, a sign of energy is
in a soup, is there no sign of energy. There is a little joke in all the
mice, there is a little tenderness in soup, there is a plant, there is a
coat, there are seven dresses to see, there is no doubt any choice in
that, there is certainly a single obligation for a hat, there is no
doubt that there is no curve, no curve, at all to a shape, there is no
doubt that something has that way.
Climate is not a color. A little thing is a color. When to discover and
when to disturb and when to lead a rock away all this is known and no
disgrace.
Can a question be clear. Can a pin be a shape. Can a length be
different.
Two, two are not more than one when there is a dress. This is no
obstacle. To begin the dress, supposing there is that and there is a
process, the thing to do is to determine who is the one that shows it
all. This is not determined because there is activity. There being
activity there is beauty. There being beauty all the pins are changed.
So late there can be no beginning and yet it was all done. How was it
done, it was done by one.
Public-domain text, read in full here on John Shaqi.
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