Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
Half a sausage, a whole sausage, two sausages, more sausages, four
sausages, this with a little mixed sour, this and the rest and the corn
which is grain, this and the best and certainly no kind of way of saying
that it was unexpected, this completed the single selection of a curtain
of repetition. This was such a security.
Argue the earnest cake and the dirty inside blotter, argue it and sign
the best way of standing. Supposing fifty are nineteenthirteen,
supposing they are is that the reason that the trimmings are shorter.
Why any wonder when the color of the sand is so dark and raisins are fig
trees and apples are smarter.
Why is the illusion correct, it is correct because it is black and gold.
Why are little squares neater, they are neat because if they are
obstructed there is a result that is pretty, very pretty and very likely
there is the color.
Pin a little pin inside each muff, show the slant that should expose a
foot, serve the same thing that has seen enough, love the moment best
which is all bliss. A mighty circle and a clean retreat, a master piece
and any fist you please, all this and collusion, was there ever a sign.
There was it showed that the back like the front has a middle. It does
not deceive plaster, it does not arouse a rose.
Cease carpeting, cease carpeting and what happens, the same thing
happens and there is silence and there is water and there is a rush of
the same fire that showed in the other stove.
If the white which is white and the green which is green mixed with the
brown which is brown shows no sign of the expectation that does not
disappoint expectation, if it does not then is there news, there is
news. A lamb has no neigh, a chicken has breeding, a circus has an
object and the best is to be done. The very best is to be done, it is to
be done and the example the very example shows no steel, it shows no
steel and it shows no selfishness and success, it shows just what there
is which is all that necessarily.
The darkness does not mean light ways and single noises it just means
that there certainly will be success and a serious remedy, it means that
pins any pins are a quantity, it means that a whole proceeding is
necessary and outlined and that a list a whole list means no more
disturbance than a masterpiece.
An argument is seen in a hurry, why is there no danger in advice, and in
a point and in a single exchange of generosity, why is there even no
danger in a return and an investment and in electing a single side of
clock making, why is there no more danger in a curtain and a silence and
a hasty spilling of the milk and maple sugar and the rest of it all. Why
is there no danger and why when there is a cottage why is there anything
hasty in asking for nothing and not staying longer. Why is there no
danger in an attitude and in the certainty of tea and bread and butter.
Why is there no danger.
Public-domain text, read in full here on John Shaqi.
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