Matt: A Story of A CaravanBuchanan, Robert Williams
General
Matt: A Story of A Caravan
Buchanan, Robert Williams
Fiction
The discovery not being a brilliant one, I took no trouble to confirm
it; but Matt thereupon walked over to the canvas, and, stooping down,
examined it with undisguised curiosity. Presently she glanced again at
me.
“‘I know what _this_ is,’ she cried, pointing. ‘It’s water. And that’s
the sky. And that’s trees. And these here’--for a moment she seemed in
doubt, but added hastily--‘pigs.’
“Now, as the subject represented a flock of sheep huddling together
close to a pond on a rainy common, this suggestion was not over
complimentary to my artistic skill. I was on the point of correcting my
astute critic, when she added, after a moment’s further inspection--
“‘No; they’re sheep. Look ye now, I know! They’re sheep.’
“‘Pray, don’t touch the paint,’ I suggested, approaching her in some
alarm. ‘It is wet, and comes off.’
“She drew back cautiously; and then, as a preliminary to further
conversation, sat down on the grass, giving me further occasion
to remark her length and shapeliness of limb. There was a
free-and-easiness, not to say boldness, about her manner, tempered
though it was with gusts of bashfulness, which began to amuse me.
“‘Can you paint faces?’ she asked dubiously.
“I replied that I could even aspire to that accomplishment, by which I
understood her to mean portrait painting, if need were. She gave a quiet
nod of satisfaction.
“There was a painter chap came to Aberglyn last summer, and he painted
William Jones.’
“‘Indeed?’ I said, with an assumption of friendly interest.
“‘Yes; I wanted him to paint _me_, but he wouldn’t. He painted William
Jones’s father though, along o’ William Jones.’
“This with an air of unmistakable disgust and recrimination. I looked at
the girl more observantly. It had never occurred to me till that moment
that she would make a capital picture,--just the sort of ‘study’ which
would fetch a fair price in the market. I adopted her free and easy
manner, which was contagious, and sat down on the grass opposite to her.
“‘I tell you what it is, Matt,’ I said familiarly, ‘I’ll paint you,
though the other painter chap wouldn’t.’
“‘You will!’ she cried, blushing with delight.
“‘Certainly; and a very nice portrait I think you’ll make. Be good
enough to take off your hat that I may have a better look at you.’
“She obeyed me at once, and threw the clumsy thing down on the grass
beside her. Then I saw that her head was covered with short black curls,
clinging round a bold white brow unfreckled by the sun. She glanced at
me sidelong, laughing and showing her white teeth. Whatever her age was
she was quite old enough to be a coquette.
“Promptly as possible I put the question: ‘You have not told me how old
you are?’
“‘Fifteen,’ she replied without hesitation.
“‘I should have taken you to be at least a year older.’
“She shook her head.
“‘It’s fifteen year come Whitsuntide,’ she explained, ‘since I come
ashore.’
Public-domain text, read in full here on John Shaqi.
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