Matt: A Story of A CaravanBuchanan, Robert Williams
General
Matt: A Story of A Caravan
Buchanan, Robert Williams
Fiction
“‘Tain’t that,” said Matt; “he don’t love me ’cause I’m _me_, William
Jones. There’s somethin’ else, and I should just like to know what that
somethin’ is, I should.”
William Jones looked at her, conscious that there was a new development
of sagacity in her character, but was utterly at a loss to understand
what that new development meant.
CHAPTER VI.--ALSO CONCLUDES WITH A KISS.
When Matt awoke the next morning, the first thing she did was to
look around for her Sunday clothes, which on retiring to rest she had
carefully placed beside her bed. They were gone, and in their place lay
the habiliments she was accustomed to wear on her erratic pilgrimages
every day.
Her face grew cloudy, she hunted all round the chamber, but finding
nothing that she sought she was compelled to array herself as she best
could.
“William Jones,” she said, when she sat with that worthy at a hermit’s
breakfast of dry bread and whey, “where’s my Sunday clothes?”
William Jones fidgeted a bit, then he said--
“They’re put where you won’t find ’em. Look ye now, Matt, you’d better
be doin’ summat more useful than runnin’ about after a painter chap. I
was down on the shore this morning, and I seen heaps o’ wood--you’d best
get some of it afore night!”
Matt gave a snort, but said nothing. A few minutes later her benign
protector left the cottage, and a little after he had disappeared Matt
issued forth; but instead of beating the shore for firewood, as she had
been told to do, she ran across the fields to the painter.
She found him already established at his work. The fact was he had
been for some time strolling about with his hands in his pockets, and
scanning the prospect on every side, for a sight of her. Having got
tired of this characteristic occupation, he at length sat down and began
to put a few touches to the portrait. Seeing that he was unconscious of
her approach, Matt crept up quietly behind him and took a peep at the
picture.
Her black eyes dilated with pleasure.
“Oh, ain’t it beautiful!” she exclaimed.
“So you have come at last,” said Brinkley quietly, going on with his
painting.
She made no movement and no further sound, so he continued--
“Perhaps now you _have_ come you’ll be good enough to step round that I
may continue my work. I am longing to refresh my memory with a sight of
your face, Matt!”
“Well, you can’t,” said Matt; “they’re locked up!”
“Eh! what’s locked up--my memory or your face?”
It was clear Matt could not appreciate banter. She saw him smile,
and guessed that he was laughing at her, and her face grew black and
mutinous. She would have slunk off, but his voice stopped her.
“Come here, Matt,” he said. “Don’t be silly, child; tell me what’s the
matter, and--why, what has become of your resplendent raiment--your
gorgeous Sunday clothes?”
“Didn’t I tell yer?--they’re locked up.”
“Indeed!”
“Yes, William Jones done it ’cause _he_ told him. _He_ don’t want me
to come here and be took.”
Public-domain text, read in full here on John Shaqi.
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