Lord Grenville and Lord Granville." So it was to the shortcomings of the Middle Class, from which he professed to be sprung and which he so intimately knew, that he first addressed his social criticism. The essay on "My Countrymen" immediately attracted notice. It was fresh, it was lively, it put forth a new view, it gaily ran counter to the great mass of current prejudice. He was frankly pleased by the way in which it was received. It was noticed and quoted and talked about. He reported to his mother that it was thought "witty and suggestive," "timely and true." Carlyle "almost wholly approved of it," and Bright was "full of it." He did not expect it to be liked by people who belonged to "the _old_ English time, of which the greatness and success was so immense and indisputable that no one who flourished when it was at its height could ever lose the impression of it," or realize how far we had fallen in Continental esteem. His friend Lingen was "indignant" because he thought the essay exalted the Aristocracy at the expense of the Middle Class; and the Whig newspapers were "almost all unfavourable, because it tells disagreeable truths to the class which furnishes the great body of what is called the Liberal interest." From the foreign side came a criticism in the _Pall Mall Gazette_, "professing to be by a Frenchman," but "I am sure it is by a woman I know something of in Paris, a half Russian, half Englishwoman, married to a Frenchman." The first part of this criticism "is not good, and perhaps when the second part appears I shall write a short and light letter by way of reply." That "short and light letter" appeared in the _Pall Mall_ of March 20, 1866. It dealt with the respective but not incompatible claims of Culture and Liberty--the former so defective in England, the latter so abundant--and it contained this aspiration for Englishmen of the Middle Class. "I do not wish them to be the cafe-haunting, dominoes-playing Frenchmen, but some third thing: neither the Frenchmen nor their present selves."