Mattie:—A Stray (Vol 1 of 3)Robinson, F. W. (Frederick William)
General
Mattie:—A Stray (Vol 1 of 3)
Robinson, F. W. (Frederick William)
English fiction -- 19th century
Mr. and Mrs. Wesden are seated one on each side of the fire--Mr. Wesden
in a new arm-chair, bought of an upholsterer in the Borough, an easy and
capacious chair, with spring seats and sides, and altogether a luxury
for that establishment. Mrs. Wesden has become very feeble and rickety;
rheumatic fever--that last year's hard trial, in which she was given
over, and the quiet man collapsed into a nervous child for the
nonce--has left its traces, and robbed her of much energy and strength.
She is a very old woman at sixty-three, grey-haired and sallow, with two
eyes that look at you in an amiable, deer-like fashion--in a motherly
way that gives you an idea of what a kind woman and good Christian she
is.
Mr. Wesden, sitting opposite his worn better-half, was originally
constructed from much tougher material. The lines are deeper in his
face, the nose is larger, the eyes more sunken, perhaps the lips more
thin, but there is business energy in him yet; no opportunity to earn
money is let slip, and if it were not for constant twinges in his back,
he would be as agile as in the old days when there were doubts of
getting on in life.
But who is this sitting with them, like one of the family?--a
dark-haired, pale-faced girl of sixteen, short of stature, neat of
figure, certainly not pretty, decidedly not plain, with an everyday
face, that might be passed fifty times, without attracting an observer;
and then, on the fifty-first, startle him by its intense expression. A
face older than its possessor's years; at times a grave face, more
often, despite its pallor, a bright one--lit-up with the cheerful
thoughts, which a mind at ease naturally gives to it.
Neatly, if humbly dressed--working with a rapidity and regularity that
would have done credit to a stitching machine--evidently at home there
in that back-parlour, to which her dark wistful eyes had been so often
directed, in the old days; this is the Mattie of our prologue--the
stray, diverted from the dark course it was taking, by the hand of John
Wesden.
"Wesden, what's the time now?"
"My dear, it's not five minutes since you asked last," is the mild
reproof of the husband, as he tugs at his copper-gilt watch chain for a
while; "it's close on ten o'clock."
"I hope nothing has happened to the train--"
"What should happen, Mrs. Wesden?" says a brisk, clear ringing voice;
"just to-night of all nights, when Miss Harriet is expected. Why, she
didn't give us hope of seeing her till nine; and trains are always
behind-hand, I've heard--and it's very early hours to get fidgety, isn't
it, sir?"
"Much too early."
"I haven't seen my dear girl for twelve months," half moans the mother;
"she'll come back quite a lady--she'll come back for good, Wesden, and
be our pride and joy for ever. Never apart from us again."
"No, all to ourselves we shall have her after this. Well," with a
strange half sigh, "we've done our duty by her, Mrs. W."
"I hope so."
"It's cost a heap of money--I don't regret a penny of it."
Public-domain text, read in full here on John Shaqi.
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