Maud Florence Nellie; or, Don't care!Coleridge, Christabel R. (Christabel Rose)
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Maud Florence Nellie; or, Don't care!
Coleridge, Christabel R. (Christabel Rose)
Girls -- Juvenile fiction
"What's her name? Where does she come from?"
"Florence Whittaker--leastways, she says it's Maud Florence Nellie,
which is a many names, sir, for one girl, don't you think?"
"Will she come to the Sunday school?" asked Geraldine.
"I don't know, ma'am. Shall I say as you desire her to come, Miss
Geraldine?"
"Yes, do. There are never any new girls in Ashcroft. She isn't too
old, is she?"
"She's only going in her fifteen, ma'am, but she's very big."
"Oh, well, Bessie Lee and Grace Elton are sixteen, quite. Yes, tell her
to come."
"Thank you, ma'am, I will," said Wyn. "Do you want to go home, sir?"
"Yes, I'm tired this morning. Go straight back. I don't want to go
round the wood."
He fell into silence. Geraldine played with her puppy, and Wyn trudged
cheerily at the pony's head, thinking of an expedition he wanted to
propose some day when Mr Edgar was very well and fresh, and there was
no one to interfere with them. Mr Edgar had been so weak all the
spring, and had had so many headaches and fits of palpitation--once he
had even fainted after an attempt to walk a few steps farther than
usual--so that he and Wyn had not been trusted to make long excursions
alone together.
But now that he was better again, and the weather was so fine, Wyn
longed to take Dobbles to a certain spot recently laid open to his
approach. He had been thoroughly imbued with his young master's tastes,
knew the haunts of every bird and beast in the wood, every hollow in the
old ash-trees where owls or squirrels could nest and haunt. He watched
the growth of all the wild flowers, and at the autumn cottage show
intended to win the first prize for a collection of them--a new idea in
Ashcroft which had been recently suggested by a lady whose husband, Sir
Philip Carleton, had just taken Ravenshurst for the shooting.
CHAPTER SEVEN.
SUNDAY SCHOOL.
Public-domain text, read in full here on John Shaqi.
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