Maugis, ye sorcerer : $b from ye ancient French : a wonderful tale from ye writings of ye mad savant of ye Maison Maugis in ye olde citie of Mouzon, FranceGilhooley, Lord
Science
Maugis, ye sorcerer : $b from ye ancient French : a wonderful tale from ye writings of ye mad savant of ye Maison Maugis in ye olde citie of Mouzon, France
Gilhooley, Lord
Fantasy fiction
[Illustration: THE MYSTERIOUS DOOR.]
+Maugis, Ye Sorcerer.+
+FROM Ye ANCIENT FRENCH.+
A Wonderful Tale from ye Writings of ye Mad
Savant of ye Maison Maugis in ye Olde
Citie of Mouzon, France.
By LORD GILHOOLEY, D.C.,
_Author of “Yutzo.”_
[Illustration]
F. TENNYSON NEELY,
PUBLISHER,
LONDON. NEW YORK.
Copyright, 1898,
by
+F. Tennyson Neely+,
in
United States
and
Great Britain.
All Rights Reserved.
+-----------------------------------------+
| DEDICATION. |
| TO THE FOOLS WHO COMPOSE THE “SOCIETE |
| D’ETHNOGRAPHIE” OF NANCY, FRANCE, |
| THIS WORK IS HEREBY DEDICATED. |
+-----------------------------------------+
APOLOGY.
_To the Honorable Gentlemen composing the Société d’Ethnographie,
Nancy, France._
+Gentlemen+: In the above dedication I have the sincerest regret in
committing, what under other circumstances would be an unpardonable
insult upon the gentlemen of a learned body, none of whom I have ever
had the honor of meeting, but whose position in the world of science
and letters I know to be perfectly unassailable. Let me explain.
An oath, made to the late Charles Voudran, a former member of your
Honorable Society, has compelled this regrettable action, which,
otherwise, would have resulted in the loss of a vast amount of rare
historical information to the world, as, I trust, a perusal of the
following pages, will satisfactorily explain.
With the most profound respect,
+Frederick O’Hoolihan.+
(LORD GILHOOLEY.)
LIST OF ILLUSTRATIONS.
PAGE.
The Mysterious Door, _Frontispiece_
Interior Cathedral, Mouzon, 12
The Haunted Battlefield, 32
Ancient Gate of Mouzon, 52
Château Montfort, 70
Surprise of the Castle, 76
Old Spanish Houses, 100
Maugis, 120
Public-domain text, read in full here on John Shaqi.
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