By this time the populace were not only masters of the area around, but had also gained the scaffold itself, from which many of them seemed endeavouring to harangue the mob--others contenting themselves with imitating the gestures of the commissary and his functionaries. It was a scene of the wildest uproar and confusion--frantic cries and screams, ribald songs and fiendish yellings on every side. The guillotine was again uncovered, and the great crimson drapery, torn into fragments, was waved about like flags, or twisted into uncouth head-dresses. The commissary, failing in every attempt to restore order peaceably, and either not possessing a sufficient force, or distrusting the temper of the soldiers, descended from the scaffold, and gave the order to march. This act of submission was hailed by the mob with the most furious yell of triumph. Up to that very moment they had never credited the bare possibility of a victory; and now they saw themselves suddenly masters of the field--the troops, in all the array of horse and foot, retiring in discomfiture. The exultation knew no bounds; and, doubtless, had there been amongst them those with skill and daring to profit by the enthusiasm, the torrent had rushed a longer and more terrific course than through the blood-steeped clay of the Place de Grève. ‘Here is the man we want,’ shouted a deep voice. ‘St. Just told us t’ other day that the occasion never failed to produce one; and see, here is “Jean Gougon”; and though he’s but two feet high, his fingers can reach the pin of the guillotine.’ And he held aloft on his shoulders a misshapen dwarf, who was well known on the Pont Neuf, where he gained his living by singing infamous songs, and performing mockeries of the service of the mass. A cheer of welcome acknowledged this speech, to which the dwarf responded by a mock benediction, which he bestowed with all the ceremonious observance of an archbishop. Shouts of the wildest laughter followed this ribaldry, and in a kind of triumph they carried him up the steps, and deposited him on the scaffold. Ascending one of the chairs, the little wretch proceeded to address the mob, which he did with all the ease and composure of a practised public speaker. Not a murmur was heard in that tumultuous assemblage, as he, with a most admirable imitation of Hébert, then the popular idol, assured them that France was, at that instant, the envy of surrounding nations; and that, bating certain little weaknesses on the score of humanity--certain traits of softness and over-mercy--her citizens realised all that ever had been said of angels. From thence he passed on to a mimicry of Marat, of Danton, and of Robespierre--tearing off his cravat, baring his breast, and performing all the oft-exhibited antics of the latter, as he vociferated, in a wild scream, the well-known peroration of a speech he had lately made--‘If we look for a glorious morrow of freedom, the sun of our slavery must set in blood!’