With the meditative, descriptive pieces have been interspersed. They are an attempt towards a Christian rendering of external nature. Nature, like Art, needs to be spiritualised, unless it is to remain a fortress in the hands of an adverse Power. The visible world is a passive thing, which ever takes its meaning from something above itself. In Pagan times, it drew its interpretation from Pantheism; and to Pantheism--nay, to that Idolatry which is the popular application of Pantheism--it has still a secret, though restrained tendency, not betrayed by literature alone. A World without Divinity, Matter without Soul, is intolerable to the human mind. Yet, on the other hand, there is much in fallen human nature which shrinks from the sublime thought of a Creator, and rests on that of a sheathed Divinity diffused throughout the universe, its life, not its maker. Mere personified elements, the Wood-God and River-Nymph, captivate the fancy and do not over-awe the soul. For a bias so seductive, no cure is to be found save in authentic Christianity, the only practical Theism. The whole truth, on the long run, holds its own better than the half truth; and minds repelled by the thought of a God who stands afar off, and created the universe but to abandon it to general laws, fling themselves at the feet of a God made Man. In other words, {vii} the Incarnation is the _Complement_ of Creation. In it is revealed the true nature of that link which binds together the visible and invisible worlds. When the "Word was made Flesh," a bridge was thrown across that gulf which had else for ever separated the Finite from the Infinite. The same high Truth which brings home to us the doctrine of a Creation, consecrates that Creation, reconstituting it into an Eden meet for an unfallen Adam and an unfallen Eve; nay, exalting it into a heavenly Jerusalem, the dwelling-place of the Lamb and of the Bride. It does this, in part, through symbols and associations founded on the all-cleansing Blood and the all-sanctifying Spirit --symbols and associations the reverse of those in which an Epicurean mythology took delight, and which the very superficial alone can confound with such. This is perhaps the aspect of Religion least above the level of Poetry.