May Fair : $b being an entertainment purporting to reveal to gentlefolk the real state of affairs existing in the very heart of London during the fifteenth and sixteenth years of the reign of His Majesty King George the Fifth: together with suitable reflections on the last follies, misadventures and galanteries of these charming people — John Shaqi
May Fair : $b being an entertainment purporting to reveal to gentlefolk the real state of affairs existing in the very heart of London during the fifteenth and sixteenth years of the reign of His Majesty King George the Fifth: together with suitable reflections on the last follies, misadventures and galanteries of these charming peopleArlen, Michael
History
May Fair : $b being an entertainment purporting to reveal to gentlefolk the real state of affairs existing in the very heart of London during the fifteenth and sixteenth years of the reign of His Majesty King George the Fifth: together with suitable reflections on the last follies, misadventures and galanteries of these charming people
Arlen, Michael
Great Britain -- History -- George V, 1910-1936 -- Fiction; London (England) -- Fiction
Anyone penetrating to a secluded conservatory leading from a corner of
the ball-room might have espied a young lady sitting at her ease on a
bench of cedarwood beneath the dusty and unbalanced-looking growth which
is sold in civilised countries as a palm-tree. The languid young lady’s
air was that of one who is forlorn, of one who is sad, of one who is so
bored, yet decidedly that of one who would not for worlds have her
dolour interrupted by the general run of humanity, such as perspire
without suavity and go poking their tedious noses into corners of
ball-rooms, saying: “I say, will you dance? I say, do dance!” Woe and
woe to such youths, for they shall instantly be answered by the magical
words “Missing three” and their persons shall be enveloped in
forgetfulness forever.
Secure in her solitude behind a screen of plants and flowers, our young
lady had quite evaded the eye of even the most relentless dancer but for
the whisper of her white dress through the leaves. It should further be
noted that not one among all the flowers in that flaming conservatory
was more beautiful than the flowers of Cartier, Lacloche, Boucheron, and
Janesich, which graced the young lady’s slender forearm in the guise of
bracelets of diamonds, emeralds, black onyx, pink pearls and sapphires,
all wrought upon platinum in divers tender designs. Her throat was
unadorned but for a double rope of pearls, while two captive emeralds
wept from the tips of her ears. Her hair was tawny, and it glittered
like a swarm of bees. As for her eyes, they were more than adequate to
every occasion, men being what they are.
But no sudden intruder could have been more surprised to see the
Princess Baba sitting alone--for it was she--than was the Princess Baba
herself to see, by the merest hazard of a glance over her shoulder, the
curious phenomenon of the hands, the feet and the person of a young
gentleman forcing himself into the premises through one of the
conservatory windows.
She said, sighed, cried: “Oh!”
The intruder said something denoting astonishment, confusion, and grief;
while his appearance was notably devoid of that air of calm which is the
mark of your perfect rogue or practising philosopher.
“_Well!_” said the Princess Baba. “To come in by the roof!”
“Sorry,” said the young gentleman. “Sorry.”
“Sir, what _can_ this mean! It is not by saying ‘sorry’ that one is
excused for housebreaking!”
“Madam,” begged the youth, “won’t you please allow me to explain?”
“And he calls me ‘madam’!” sighed the Princess Baba with vexation. “Now
I ask you, young man, do I look like a ‘madam’?”
He said: “You look divine. You are beautiful.”
“Attractive I may be,” said the young Princess, “but beautiful, no. For,
look at it which way you like, I’ve got a turned-up nose.”
“We are all as God made us,” sighed the young gentleman.
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