May Fair : $b being an entertainment purporting to reveal to gentlefolk the real state of affairs existing in the very heart of London during the fifteenth and sixteenth years of the reign of His Majesty King George the Fifth: together with suitable reflections on the last follies, misadventures and galanteries of these charming peopleArlen, Michael
History
May Fair : $b being an entertainment purporting to reveal to gentlefolk the real state of affairs existing in the very heart of London during the fifteenth and sixteenth years of the reign of His Majesty King George the Fifth: together with suitable reflections on the last follies, misadventures and galanteries of these charming people
Arlen, Michael
Great Britain -- History -- George V, 1910-1936 -- Fiction; London (England) -- Fiction
“It is that no girl, Sir Guy, ancient or modern or what-not, will cease
to love a man because of any of the ordinary accusations you can bring
against him. There is only one which will destroy her love. You may call
her man a cad, and she will smile, and if you repeat it she will get
bored. He may be a burglar, but she won’t cease to love him, for is not
the world a den of thieves? A poisoner, and she may still love him, for
are there not many whom it would be good to poison? A coward, and she
may not despise him, for girls are not necessarily fools and brave men
can make uncommonly dull lovers. A card-sharper, and she may excuse him,
for does not God Himself play with loaded dice? But verily, I say unto
you, prove that man guilty of a deep disloyalty and at that moment her
love will be as distant as your youth, Sir Guy, and as dead as mine; for
disloyalty is the only bedfellow love will certainly reject. Will you
call your daughter in, Mrs. de Gramercy, and I will tell her a story?
Perhaps it will interest you, too.”
“Call her, Eleanour,” said old Sir Guy. “I fancy Mr. Maturin will have
no difficulty in persuading her of his ineligibility on those grounds.”
“True,” said Mr. Maturin. “True.”
III
Now, at last, the occasion is complete, the parts of the comedy all
filled: the persons of the play bear themselves with becoming suspense:
and the scene is richly set with age, dignity, devilry and youth, one
and all essential to the true spirit of comedy.
The grandeur of distress, the lofty silence of disdain--there is the
girl’s mother in her shadowed chair and Sir Guy Conduit de Gramercy at
his writing-table, the light of the shaded lamp by his elbow laying a
rich gloss on his thick white hair. The indifference that masks the
depths of emotion, the faint mockery, the deep gravity, and the cunning
candour of love----there is Joan de Gramercy coiled in a chair near her
mother, a girl with those cool eyes that dare a man to surprise in them
any secret that they will not, in their own good time, completely
surrender to him.
Mr. Maturin, handsome Beau Maturin, is talking. He generally is. A
talkative man, let’s face it.
“Joan,” he addressed the girl’s eyes, “your mother and your grandfather
have objected to our engagement. We guessed they would, you remember?
Just lately, in fact, we’ve been guessing nothing else. Unfortunately
for their authority, however, they are not in a position to prevent it.
Now, Joan, we have had quite a long conversation in here, a little about
you, but considerably more about me. That I am as God made me is a truth
your grandfather will not for a moment admit. He is convinced that I am
a good deal worse. That I am in love, your mother is unkind enough to
doubt. She is convinced that I am suffering from a physical distemper.
And so, just as you were not swayed by your guardians’ arguments to-day,
I have not been swayed by them to-night----”
“How, sir!” cried Sir Guy hotly. “Are you----”
Public-domain text, read in full here on John Shaqi.
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