American literature -- Periodicals; Literature -- Periodicals
"We can no more than drive and steer her and so forth; but if we have
rough weather this trip--it's likely--she'll learn the rest by heart!
For a ship, ye'll obsairve, Miss Frazier, is in no sense a reegid
body, closed at both ends. She's a highly complex structure o' various
an' conflictin' strains, wi' tissues that must give an' tak' accordin'
to her personal modulus of eelasteecity." Mr. Buchanan, the chief
engineer, in his blue coat with gilt buttons, was coming toward them.
"I'm sayin' to Miss Frazier, here, that our little 'Dimbula' has to be
sweetened yet, and nothin' but a gale will do it. How's all wi' your
engines, Buck?"
"Well enough--true by plumb an' rule, of course; but there's no
spontaneeity yet." He turned to the girl. "Take my word, Miss
Frazier, and maybe ye'll comprehend later, even after a pretty girl's
christened a ship it does not follow that there's such a thing as a
ship under the men that work her."
"I was sayin' the very same, Mr. Buchanan," the skipper interrupted.
"That's more metaphysical than I can follow," said Miss Frazier,
laughing.
"Why so? Ye're good Scotch, an'--I knew your mother's father; he was
fra' Dumfries--ye've a vested right in metapheesics, Miss Frazier,
just as ye have in the 'Dimbula,'" the engineer said.
"Eh, well, we must go down to the deep watters, an' earn Miss Frazier
her deevidends. Will you not come to my cabin for tea?" said the
skipper. "We'll be in dock the night, and when you're goin' back to
Glasgie ye can think of us loadin' her down an' drivin' her forth--all
for your sake."
In the next four days they stowed nearly four thousand tons dead
weight into the "Dimbula," and took her out from Liverpool. As soon as
she met the lift of the open water she naturally began to talk. If
you put your ear to the side of the cabin the next time you are in a
steamer, you will hear hundreds of little voices in every direction,
thrilling and buzzing, and whispering and popping, and gurgling and
sobbing and squeaking exactly like a telephone in a thunder storm.
Wooden ships shriek and growl and grunt, but iron vessels throb and
quiver through all their hundreds of ribs and thousands of rivets. The
"Dimbula" was very strongly built, and every piece of her had a letter
or a number or both to describe it, and every piece had been hammered
or forged or rolled or punched by man and had lived in the roar and
rattle of the shipyard for months. Therefore, every piece had its own
separate voice in exact proportion to the amount of trouble spent upon
it. Cast iron, as a rule, says very little; but mild steel plates and
wrought iron, and ribs and beams that have been bent and welded and
riveted a good deal, talk continuously. Their conversation, of course,
is not half as wise as human talk, because they are all, though they
do not know it, bound down one to the other in black darkness, where
they cannot tell what is happening near them, nor what is going to
happen next.
Public-domain text, read in full here on John Shaqi.
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