Reproduced by permission of Braun, Clement & Co. A replica of Millet's picture in the Salon of 1861, which is now owned by Mr. Quincy Shaw, Boston, Massachusetts. Charles Jacque, who had quarrelled with Millet, after seeing this picture, went to him and said: "We cannot be friends; but I have come to say that you have painted a masterpiece."] Jean François Millet was born October 4, 1814, in the hamlet of Gruchy, a mere handful of houses which lie in a valley descending to the sea, in the department of the Manche, not far from Cherbourg. He was the descendant of a class which has no counterpart in England or America, and which in his native France has all but disappeared. The rude forefathers of our country may have in a degree resembled the French peasant of Millet's youth; but their Protestant belief made them more independent in thought, and the problems of a new country, and the lack of stability inherent to the colonist, robbed them of the fanatical love of the earth, which is perhaps the strongest trait of the peasant. Every inch of the ground up to the cliffs above the sea, in Millet's country, represented the struggle of man with nature; and each parcel of land, every stone in the walls which kept the earth from being engulfed in the floods beneath, bore marks of his handiwork. Small wonder, then, that this rude people should engender the painter who has best expressed the intimate relation between the man of the fields and his ally and foe, the land which he subjugates, and which in turn enslaves him. The inherent, almost savage, independence of the peasant had kept him freer and of a nobler type than the English yokel even in the time before the Revolution, and in the little hamlet where Millet was born, the great upheaval had meant but little. Remote from the capital, cultivating land which but for their efforts would have been abandoned as worthless, every man was a land-owner in a small degree, and the patrimony of Millet sufficed for a numerous family of which he was the eldest son. Sufficed, that is, for a Spartan subsistence, made up of unrelaxing toil, with few or no comforts, save those of a spiritual nature which came in the guise of religion. [Illustration: PEASANT REPOSING. FROM A PAINTING BY JEAN FRANCOIS MILLET, EXHIBITED IN THE SALON OF 1863.