[Illustration: _From the painting by F. Brangwyn_ "THEIR LANTERN JUST BROUGHT OUT THE GHOSTLINESS OF GRAVESTONES LEANING BETWEEN THE COLUMNS OF THE CYPRESSES" _See "The Valley of Mills," page 659_] McCLURE'S MAGAZINE VOL. XXXI OCTOBER, 1908 No. 6 [Illustration] FAMILIAR LETTERS OF AUGUSTUS SAINT-GAUDENS EDITED BY ROSE STANDISH NICHOLS ILLUSTRATED WITH PHOTOGRAPHS _Copyright, 1908, by The S. S. McClure Co. All rights reserved_ These familiar letters from Augustus Saint-Gaudens show the artist as his intimate friends knew him. They were written at odd moments, often in haste, and never with a shadow of self-consciousness. They are interesting, not as literary productions, but as the simple record of a critical period in his career. "Le Coeur au Métier," the motto which he wished to place in his studio, will be seen to express the spirit of his life. Other keen interests he had, but they were never allowed to interfere with his work, and he seldom felt the need of any recreation apart from it. One of his friends used to complain that in the midst of their merrymaking an abstracted look would come into his eyes and his mind would hark back to sculpture. Although he was extremely modest and was given to underrating his powers in other directions, from his childhood he confidently expected to be a great artist. As a little school-boy, sent from his father's shop to do errands, he would sit in the omnibus and look about at his well-dressed fellow-passengers, and wonder what they would think if they realized what he was going to be some day. But even as a child he never dreamed of achieving his ambition without years of ceaseless struggle. When the boy left school, at the age of thirteen, this struggle began. In 1848 his father, a Frenchman, had brought his Irish wife and his baby, Augustus, to New York, where he worked as a shoemaker. He was poor, and was anxious that his eldest son should become self-supporting as soon as possible; so at thirteen the boy was apprenticed to a cameo-cutter, whose trade he mastered with surprising readiness, at the same time studying drawing at the Cooper Institute in the evenings. In a little while he was not only earning his own living by cameo-cutting, but excelled all his fellow-pupils at the night-school in talent and perseverance. [Illustration: AUGUSTUS SAINT-GAUDENS FROM A PHOTOGRAPH IN THE COLLECTION OF MRS. ROSE NICHOLS]