American literature -- Periodicals; Literature -- Periodicals
The two artists went by train from Marseilles to Nice and Ventimiglia,
and then walked along the superb Cornice road to San Remo, conscious
that every step brought them nearer to their beloved Italy. The hills,
covered with palms and orange-trees, the sacred-looking groves of
gray-green olives detached against the deep blue of the sea, recalled
to Saint-Gaudens a story by Anatole France describing some early
Christians in an olive grove overlooking the Mediterranean.
In Italy they stopped first at Pisa, and did not reach Rome much before
midnight. Regardless of fatigue, Saint-Gaudens insisted upon starting
out that night to revisit the favorite haunts of his student days,
taking the reluctant Garnier with him. At a late hour they ended their
excursion at the Café Greco, where the sculptor talked with a waiter
who had served him with coffee in 1871. The next morning they spent in
the gardens and the Bosco of the Villa Medici. Nothing seemed to them
much changed, and their happiness was as great as if they had found
their youth again in the land where they had left it. Saint-Gaudens
afterward said that on the night of that arrival in Rome he felt as if
he were slaking a great thirst. Before their return they also visited
the Bay of Naples. Vivid memories of Italy were present with the
sculptor until the end of his life, and during his last illness he said
that one thing he wished to live for was to take again the drive from
Salerno to Amalfi: the vineyards clinging to the hillsides, the cliffs
with the blue waves breaking at their base, haunted him as a vision of
exquisite beauty.
Late in the winter Saint-Gaudens returned to Paris, and when spring
and the pleasant weather came on he was working again with great
enthusiasm, preparing for the Salon. His exhibit at the Champs de
Mars attracted much attention and elicited unexpected praise from the
severest French critics.
"3, rue de Bagneux, Paris, May 16th, 1898
... "I must be brief today for Dr. Shiff is coming in to talk,
and help me with his consoling philosophy as Bion did; and I must
work, for the model leaves shortly, and I must use him every hour
I can; so I will tell you briefly of what has happened.
Public-domain text, read in full here on John Shaqi.
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