"However, the monument looks impressive as I see it this morning for the first time with much of the disfiguring scaffolding gone. I stay here until Sunday, when I take the 5.30 P.M. train and shall get to New York Monday at 6 or 7. Last night we went to a great golf place where high merriment prevailed. This afternoon to Fort Sheridan. Tonight a reception at the Art Institute; tomorrow a lawn party at Burnham's and Sunday a visit to the great dredging canal; on Monday the cars and rest." After the sculptor's return from Chicago, he continued his preparations for departure in New York. "The Players, August 7, 1897 "Brander Matthews has just come and interrupted this with a long and interesting talk on the conventional in art and an article he has written and sent to Scribner's on it. You have often wondered what I think about things--I wonder myself; I think anything and everything. This seeing a subject so that I can side with either side with equal sympathy and equal convictions I sometimes think a weakness. Then again I'm thinking it a strength. "Last night I dined with X---- and Y---- and passed a delightful evening with them. X---- cracked his constructed jokes and manufactured his silversmith puns, and cackled over them. We talked literature, English, French, and Taine's great work on English literature. We afterward went to the open air concert at the Madison Square Garden, and when we were not talking of anything else we talked on that subject of eternal interest and mystery 'les femmes.'" Finally, in the autumn of 1897, after both the Shaw and Logan monuments had been unveiled, and various minor obstacles to his departure had been removed, Saint-Gaudens was ready to leave America. Opposition to his plan still came from every side. Many of his friends in New York seemed to feel that he was casting a certain reproach upon his country by his desire to profit by foreign criticism and to measure his work by European standards. They prophesied that his work would deteriorate under French influence. His few friends in Paris were equally discouraging. They did not hesitate to warn him that if he persisted in coming there he must be prepared to face indifference and failure. Even Bion, when Saint-Gaudens had asked him to get the opinions of a few French artists upon photographs of the Shaw memorial, had refused to do so, saying: "I shan't show your photographs to anyone. Shiff, MacMonnies, and Proctor have seen them, my poor old friend, and the others do not know you. They are quite indifferent about what goes on outside their own little show."