American literature -- Periodicals; Literature -- Periodicals
"We worked very hard to get it done," I heard said more than once. And
I often longed to answer: "Yes, you worked for it between Henry's death
and his funeral. He worked for it all his life!"
I have always desired some other memorial to Henry Irving than his
honoured grave; not so much for his sake as for the sake of those who
loved him, and would gladly welcome the opportunity of some great test
of their devotion.
THE END
[I] Mr. Norman Forbes-Robertson.
THE VALLEY OF MILLS
BY H. G. DWIGHT
WITH A PAINTING BY F. BRANGWYN
_The American Dragoman narrates to the Second Secretary_
I shall never forget the night I got there. The train went no farther
than Nicomedia in those days, and it took so long that you nearly died
of old age on the way. But when the three red lights on the tail of
it dwindled into the dark, I had the queerest sense of having been
dropped into another world. It was the more so because one couldn't
see an earthly thing--not a star, not even the Gulf which we were to
cross. I only heard the lapping of it, close by, when the rumble of the
train died out of the stillness. That and the crunch of steps on the
sand were all there was to hear, and an occasional word I didn't catch.
The men could hardly have been more silent if our lives had depended
on it. I had no idea how many of them there were, or what they looked
like--much less where they were taking me. They simply hoisted a sail
and put off into the night. I would have sworn, too, that there was
no wind. The sail filled, however: I could see the swaying pallor of
it, and hear the ripple under the bow. And as my eyes got used to the
darkness, I discovered an irregular silhouette in front of us, and a
floating will-o'-the-wisp of a light. The silhouette grew taller and
blacker till the boat grounded under it. Then, by the light of the
will-o'-the-wisp, which was a sputtering oil lantern on shore, I made
out some immense cypresses. You have no idea how eerie that landing
was, in a waterside cemetery that was for all the world like Böcklin's
Island of Death. The men moved like shadows about their Flying
Dutchman of a boat, and their lantern just brought out the ghostliness
of gravestones leaning between the columns of the cypresses. And I
suddenly became aware of the strangest sound. I had no idea what it was
or where it came from, but it was a sort of low moaning that fairly
went into your bones. It grew louder when we started on again. We
climbed an invisible trail where branches slashed at us in the dark,
and all kinds of sharp and sweet and queer smells came put of it in
waves. And nightingales began to sing like mad around us, and off in
the distance somewhere jackals were barking, and under it all that low
moaning went on and on and on. And at last we came out into an open
space on top of the hill, where a bonfire made a hole in the black, and
a couple of naked figures stood redly out in the penumbra of it, with a
ring of faces flickering around them....
Public-domain text, read in full here on John Shaqi.
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