American literature -- Periodicals; Literature -- Periodicals
I found out afterwards that the bonfire business was nothing but a
wrestling match--they had them almost every night on the _meidan_--and
the moaning came from the mill-wheels in the valley. But I never quite
got over that first impression--that sense of walking through all kinds
of things without seeing them. No sooner would I begin to feel a bit at
home than something would bring me up with a jerk and remind me that
I was a stranger in a strange land. I suppose it was natural enough,
considering that I had only just come out then. The place was nothing
but a snarl of muddy lanes and mud shanties, tossed into a filbert
valley where water tumbled down to the Gulf. It was only about fifty
miles away from here, but it might have been five thousand and fifty.
There was none of the contrast with Europe that is always bothering you
here--though perhaps it really sets things off. The people were all
Turks, and their village was Asia pure and simple. That extraordinary
juxtaposition of care and neglect, of the exquisite and the nauseating,
which begins to strike you in Italy, and which strikes you so much more
here, simply went to the top notch there. It was under your eyes--and
nose--every minute. There were rugs and tiles and brasses that you
couldn't keep your hands off of, in houses plastered with cow-dung. And
the people used the gutters for drains, and their principal business
was making attar of rose. You should have seen what gardens there
were, hidden away behind mud-walls!
What struck me most, though, was a something in it all which I never
could lay my finger on. It seemed incredible that a country inhabited
so long should show so few signs of it. The people might have camped
in a clearing over night, and the woods were just waiting to cover up
their tracks. But the wildness was not the good blank, unconscious
wildness we have at home. There was a melancholy about it. The silence
that hung over the place was really a little uncanny. The mills only
cried it out, in that monotonous minor of theirs. They were picturesque
old wooden things, all green with moss and maidenhair fern, that went
grinding and groaning on forever, and making you wonder what on earth
it was all about. I can't say that I ever found out, either. But I
certainly got grist enough for my own mill.
Public-domain text, read in full here on John Shaqi.
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