Out of gratitude, and possibly also a desire to give the recalcitrant negroes an object-lesson, the management decided to tolerate Moss for a month. It was clearly a case of toleration. He broke more dishes than any four of the other waiters; he forgot orders; he trod on toes; and, although he was of a singularly peaceful disposition, never taking part in the multitudinous squabbles of the dining-room, the incessant gibes, sneers, and threats of his unionized associates would occasionally prove too much for even his equanimity. Then, like an infuriated gorilla, he would spring upon his tormentors, regardless of their number, and dearly indeed would they pay for their sport. He was, moreover, a silent fellow; and his silence was not that of the well-bred waiter, but a solemn, profound, brooding, depressing thing, acquired, one could almost believe, in the African jungles where his forefathers had crept like wild beasts or squatted in superstitious terror. People, consequently, were a little afraid of him. It was told that he had once carried a piano up three flights of stairs on his back; and when he would pass down the dining-room with a seventy-pound tray balanced on the tips of three fingers as lightly as if it were a pie-pan, a certain bald-headed, white-waist-coated, pink-faced old bachelor, who made his home at the hotel, never tired of observing to strangers, with his dry little chuckle: "How'd you like to meet that boy on a lonely road, suh, afteh dark, with your gun at home?" And, in truth, Moss' huge black paw, suddenly appearing over their shoulders from behind, as he served a meal, was a trifle disconcerting to ladies with delicate nerves. There was, however, a force of some kind, a sort of dumb nobility about the fellow, which made itself felt; and, in spite of his manifold shortcomings, he had, when his month was up, made a fairly favorable impression. Still, his fate was hanging in the balance when Fortune once more intervened in his behalf. An imaginative reporter on one of the Louisville papers, being hard pressed for a Sunday story, concocted an article entitled "A Congo King," in which he solemnly averred that the herculean waiter at the Bluegrass was the grandson of an African prince who had been captured by slavers on the upper Congo, after a desperate fight, and landed in Charleston in 1832. From that hour Moss became a show-piece which the proprietors of the Bluegrass would not willingly have parted with. Guests almost daily asked to be shown the "Congo King." A German ethnologist who was touring the country ran down from Chicago to get some exact measurements of the royal descendant's head. An artist of State reputation painted him in what was alleged to be his grandfather's court costume--a strip of leopard-skin around his loins; and a photograph from this painting made the most popular souvenir post-card which the hotel's news-stand had ever handled.