"You can travel longer on it nor anything," he muttered.
He congratulated himself that he had filled his pocket from the
booze-clerk's sugar-bowl before the mix came. The act was characteristic
of him, as was the forethought which had sent him to the door to pick the
best saddle-horse at the hitching-post, before the lead began to fly.
The man suddenly realized that the mist in the east was denser, and
spreading. He jabbed the spurs into his horse and sent the jaded animal
sliding on its fetlocks down the steep and rocky trail that led into the
dry bed of a creek which in the spring flowed bank high. In the bottom he
pulled his horse to its haunches and leaned from his saddle to look at a
foot-print in a little patch of smooth sand no larger than his two hands.
The print had been made by a moccasined foot, and recently; otherwise the
wind would have wiped it out.
He threw his leg over the cantle of the saddle and stepped softly to the
ground. Dropping the reins, he looked up and down the gulch. Then he drew
his rifle from the scabbard and began to hunt for more tracks. As he
searched, his movements were no longer those of a white man. His
pantomime, stealthy, cautious, was the pantomime of the Indian. He crept
up the gulch to a point where it turned sharply. His stealth became the
stealth of the coyote. In spite of the leather soles and exaggerated high
heels of the boots he wore his movements were absolutely noiseless.
An Indian of middle age, in blue overalls, moccasins, a limp felt hat
coming far down over his braided hair, a gaily striped blanket drawn about
his shoulders, stood in an attitude of listening, carelessly holding a
cheap, single-barrelled shotgun. He had heard the horse sliding down the
trail and was waiting for it to appear on the bench above.
The stranger took in the details of the Indian's costume, but his eye
rested longest upon the gay blanket. He might need a blanket with that
snow in the air. It looked like a good blanket. It seemed to be thick and
was undoubtedly warm.
The Indian saw him the instant he rose from his hiding-place behind a huge
sage-brush. Startled, the red man instinctively half raised his gun. The
stranger gave the sign of attention, then, touching his breast and lifting
his hand slightly, told him in the sign language used by all tribes that
"his heart was right"--he was a friend.
The Indian hesitated and lowered his gun, but did not advance. The
stranger then asked him where he would find the nearest house, and whether
it was that of a white or a red man. In swift pantomime, the Indian told
him that the nearest house was the home of a "full-blood," a woman, a fat
woman, who lived five miles to the southeast, in a log cabin, on running
water.
Public-domain text, read in full here on John Shaqi.
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