Meadow Grass: Tales of New England LifeBrown, Alice
General
Meadow Grass: Tales of New England Life
Brown, Alice
New England -- Social life and customs -- Fiction
"I should ha' had some patience with him if 'twa'n't for one thing he
done to spite her. Seemed as if he meant to shame her that way afore
the whole neighborhood. He wouldn't speak to her himself, but he sent a
painter by trade to tell her he was goin' to paint the house, an' to
ask her what color she'd ruther have. The painter said she acted sort
o' wild, she was so pleased. She told him yaller; an' Josh had him go
right to work on't next day. But he had her half painted yaller, an'
his a kind of a drab, I guess you'd call it. He sold a piece o' ma'sh
to pay for't. Dr. Parks said you might as well kill a woman with a
hatchet, as the man did down to Sudleigh, as put her through such
treatment. My! ain't it growin' late? Here, let me set back by the
winder. I want to see who goes by, to-day. An' I'll cut my story short.
"Well, they lived jest that way. Lyddy Ann she looked like an old
woman, in a month or two. She looked every minute as old as you do,
Mis' Gridley. Ain't you sixty-nine? Well, she wa'n't but thirty-six.
Her hair turned gray, an' she was all stooped over. Sometimes I thought
she wa'n't jest right. I used to go in to see if she'd go coltsfootin'
with me, or plummin'; but she never'd make me no answer. I recollect
two things she said. One day, she set rockin' back'ards an' for'ards in
a straight chair, holdin' her hands round her knees, an' she says,--
"'I 'ain't got no pride, Sally Flint! I 'ain't got no pride!'
"An' once she looked up kind o' pitiful an' says, 'Ain't it queer I
can't die?' But, poor creatur', I never thought she knew what she was
sayin'. She'd ha' been the last one to own she wa'n't contented if
she'd had any gover'ment over her words.
"Well, Josh he'd turned the hired man away because he couldn't do for
him over the airtight stove, an' he got men to help him by days' works.
An' through the winter, he jest set over the fire an' sucked his claws,
an' thought how smart he was. But one day 'twas awful cold, an' we'd
been tryin' out lard, an' the fat ketched fire, an' everything was all
up in arms, anyway. Cyrus he was goin' by Josh's, an' he didn't see no
smoke from the settin'-room stove. So he jest went to the side door an'
walked in, an' there set Josh in the middle o' the room. Couldn't move
hand nor foot! Cyrus didn't stop for no words, but he run over to our
house, hollerin', 'Josh Harden's got a stroke!' An' ma'am left the
stove all over fat an' run, an' I arter her, I guess Lyddy Ann must ha'
seen us comin', for we hadn't more'n got into the settin'-room afore
she was there. The place was cold as a barn, an' it looked like a
hurrah's nest. Josh never moved, but his eyes follered her when she
went into the bedroom to spread up the bed.
"'You help me, Cyrus,' says she, kind, o' twittery-like, but calm.
'We'll carry him in here. I can lift.'
Public-domain text, read in full here on John Shaqi.
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